Waitress | |
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Theatrical release poster
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Directed by | Adrienne Shelly |
Produced by | Todd King Jeff Rose Michael Roiff |
Written by | Adrienne Shelly |
Starring |
Keri Russell Nathan Fillion Cheryl Hines Jeremy Sisto Andy Griffith Adrienne Shelly |
Music by | Andrew Hollander |
Edited by | Annette Davey |
Distributed by | Fox Searchlight Pictures |
Release date
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Running time
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104 minutes |
Country | United States |
Language | English |
Budget | $1.5 million |
Box office | $22 million |
Waitress is a 2007 American comedy-drama film written and directed by Adrienne Shelly, who also appears in a supporting role, making this her final appearance before her death. The film debuted at the 2007 Sundance Film Festival and went into limited theatrical release in the US on May 2, 2007.
Jenna (Keri Russell) is a waitress living in the American South, trapped in an unhappy marriage with controlling bully Earl (Jeremy Sisto). She works in Joe's Pie Diner, where her job includes creating inventive pies with unusual titles inspired by her life, such as the "Bad Baby Pie" she invents after her unwanted pregnancy is confirmed. The waitresses show up late for work, talk on the phone, spend much time with personal business and talk back to the boss. Jenna longs to run away from her dismal marriage and is slowly accumulating money to do so. She pins her hopes for escape on a pie contest in a nearby town, which offers a $25,000 grand prize, but her husband won't let her go. Her only friends are co-workers Becky (Cheryl Hines) and Dawn (Adrienne Shelly) and regular customer Joe (Andy Griffith), the curmudgeonly owner of the diner and several other local businesses, who encourages her to begin a new life elsewhere.
Jenna's life changes after she meets her new physician, Jim Pomatter (Nathan Fillion). He has moved to the small town to accommodate his wife, who is completing her residency at the local hospital, and is filling in for the woman who has been Jenna's doctor since childhood. The two are attracted to each other, and over the course of several pre-natal appointments the attraction grows. After Dr. Pomatter invites her into the office under a quickly exposed pretext, she impulsively initiates a passionate affair.
Prompted by the gift of a baby journal, Jenna begins to keep a diary, ostensibly for her unborn child, with voiceovers giving the viewer access to her thoughts about that future child and her own plans. Between these entries, her relationship with Dr. Pomatter, and the thoughts she reveals as she describes the various pies she creates, the audience gets to know her evolving hopes and dreams, concerns and fears, and slowly growing attachment to the baby she at first didn't want.