Vjenceslav Richter

Vjenceslav Richter (Croatian pronunciation: [rîxter]; 8 April 1917 – 2 December 2002) was a Croatian architect. He was also known for his work in the fields of urbanism, sculpture, graphic arts, painting and stage design.

In 1949, Richter graduated at the Department of Architecture of the Technical Faculty of the University of Zagreb under professor Zdenko Strižić.

He was one of the founding members of the Exat 51 group whose active members between 1950 and 1956 were the architects Bernardo Bernardi, Zdravko Bregovac, Božidar Rašica and Vladimir Zaharović, and the painters Vlado Kristl, Ivan Picelj and Aleksandar Srnec. He was also a member of the New Tendencies movement (from 1961). He designed exhibition pavilions (Bruxelles 1958, Turin and Milan), several museum buildings, and was involved in industrial and interior design. From 1962 he began to explore the medium of sculpture, which resulted in the Reliefmeter series among many other works of art.

In 1955, Vjenceslav Richter organized the first Zagreb Triennial, an art and design festival that sought to bring together a wide range of design disciplines, including applied arts, industrial design, and fine arts. The second triennial was not held until four years later, and was equally unsuccessful in its aim of popularising modernist design.

He exhibited at many shows in Croatia and abroad, including: the Museum of Arts and Crafts, Zagreb, (1964), Albright-Knox Art Gallery, Buffalo, (1968), Museum of Contemporary Art, Zagreb, (1968), Staempfly Gallery, New York, (1968), Galerie Semiha Huber, Zurich, (1969), at the Venice Biennale (1972), Gallery 58, Rapperswill, (1972), Galleria del Naviglio, Milan, (1973), Galleria all Centro, Napoli, (1973), Galleria Visconti, Milan, (1976) and Galleria La Loggia, Udine, (1977).

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