Erich Wolfgang Korngold composed his Violin Concerto in D major, Op. 35, in 1945.
Working in the lush, lyrical idiom reminiscent of fin de siècle Vienna, Korngold scored the concerto for elaborate instrumental forces. In addition to the solo violin, the concerto calls for two flutes (one doubling piccolo), two oboes (one doubling cor anglais), two clarinets, bass clarinet, two bassoons (one doubling double bassoon), four horns, two trumpets, trombone, harp, strings, as well as a colorful percussion section of timpani, bass drum, cymbals, gong, tubular bell, glockenspiel, vibraphone, xylophone, and celesta.
A typical performance lasts about 25 minutes.
Korngold had vowed to give up composing anything other than film music, with which he supported himself and his family, until Hitler had been defeated. With the end of World War II, he retired from films to concentrate on music for the concert hall. The Violin Concerto was the first such work that Korngold penned, following some initial persuasion from the violinist and fellow émigré Bronisław Huberman. Korngold had been hurt by the assumption that a successful film composer was one that had sold his integrity to Hollywood, just as earlier he had been hurt by many critics' assumptions that his works were performed only because he was the son of music critic Julius Korngold. He was thus determined to prove himself with a work that combined vitality and superb craftsmanship.