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Vinyl Confessions

Vinyl Confessions
Kansas - Vinyl Confessions.jpg
Studio album by Kansas
Released June 1982
Recorded Late 1981/Early 1982
Genre Progressive rock, AOR, Christian rock
Length 43:20
Label Kirshner
Legacy/Epic
Producer Kansas, Ken Scott
Kansas chronology
Audio-Visions
(1980)
Vinyl Confessions
(1982)
Drastic Measures
(1983)
Singles from Vinyl Confessions
  1. "Play the Game Tonight"
    Released: 1982
  2. "Right Away"
    Released: 1982
  3. "Chasing Shadows"
    Released: 1982
Professional ratings
Review scores
Source Rating
AllMusic 3/5 stars
Melodic.net 5/5 stars

Vinyl Confessions is the eighth studio album by American rock band Kansas, released in 1982 (see 1982 in music). It includes "Play the Game Tonight", which broke the Top 20 and is Kansas's third highest-charting single, surpassed only by "Carry on Wayward Son" and "Dust in the Wind". The album was reissued in remastered format on CD in 1996 on Legacy/Epic and again in 2011.

Vinyl Confessions was a major turning point for the band. After the conversion of both guitarist/keyboard player Kerry Livgren and bass player Dave Hope to Christianity, and the focus that Livgren placed on his religion in the band's lyrics, lead singer Steve Walsh did not agree with the new direction of the band and left to form his own band, Streets. Walsh had also contributed much as a songwriter, so the band was forced to find a new lead singer who not only had a vocal style that fit the band's music, but also could contribute material for the upcoming album. After a long audition process, the choice came down to three strong candidates: Warren Ham, Michael Gleason and John Elefante. The band eventually settled on Elefante.

"Fair Exchange" described the world under the rule of the Anti-Christ, while "Chasing Shadows" pointed out the frustration in seeking anything outside Biblical truth. "Diamonds and Pearls" emphasized the value of spiritual wealth over financial wealth, while "Face It", "Windows" and "Borderline" all had strong evangelistic appeals to the listener. The album's closer, "Crossfire," made the album's position abundantly clear in its indirect reference to Jesus Christ ("the one who rose").


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