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View of the World from 9th Avenue

View of the World from 9th Avenue
Steinberg New Yorker Cover.png
Saul Steinberg's March 29, 1976 "View of the World from Ninth Avenue" cover of The New Yorker
Artist Saul Steinberg
Year 1975
Type Ink, pencil, colored pencil, and watercolor on paper
Dimensions 28 by 19 inches (71 cm × 48 cm)
Location Private collection

View of the World from 9th Avenue (sometimes A Parochial New Yorker's View of the World, A New Yorker's View of the World or simply View of the World) is a 1976 illustration by Saul Steinberg that served as the cover of the March 29, 1976, edition of The New Yorker. The work presents the view from Manhattan of the rest of the world showing Manhattan as the center of the world.

View of the World has been parodied by Ted Rall, Columbia Pictures, The New Yorker, The Economist and Mad Magazine, among others. The work has been imitated and printed without authorization in a variety of ways. The Columbia parody led to a ruling by the United States District Court for the Southern District of New York in Steinberg v. Columbia Pictures Industries, Inc. in favor of Steinberg because of copyright violations by Columbia Pictures. The work is regarded as one of the greatest magazine covers of recent generations and is studied by art students around the world.

Saul Steinberg created 85 covers and 642 internal drawings and illustrations for The New Yorker, including its March 29, 1976 cover, titled "View of the World from 9th Avenue". This is regarded as his most famous work. It is considered an example of unintentional fame: Steinberg has noted that the type of fame that resulted from the work has diminished his significance to "the man who did that poster". The work is sometimes referred to as A Parochial New Yorker's View of the World or A New Yorker's View of the World because it depicts a map of the world as seen by self-absorbed New Yorkers. At one point The New Yorker applied for a copyright from the United States Copyright Office for the work. It assigned the copyright to Steinberg and subsequently reproduced posters of the painting.


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