Veil (album)
| Veil | ||||
|---|---|---|---|---|
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| Studio album by Band of Susans | ||||
| Released | July 1, 1993 | |||
| Recorded | January–February 1993 | |||
| Studio | Baby Monster Studio, New York City | |||
| Genre | ||||
| Length | 56:24 | |||
| Label | ||||
| Producer | Robert Poss | |||
| Band of Susans chronology | ||||
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| Professional ratings | |
|---|---|
| Review scores | |
| Source | Rating |
| Allmusic |   |
| Alternative Press | (favourable) |
| Melody Maker | (favourable) |
| NME | (favourable) |
| Rolling Stone |  |
| The Wire | (favourable) |
Veil is the fourth studio album by American noise rock band Band of Susans. After establishing their "classic-line up" with their previous album The Word and the Flesh (1991), and recording the EP Now (1992), the band aimed for a new, more sonic and experimental direction on Veil, after the more song-centirc approach to The Word and the Flesh. Recording the album in early 1993, Veil shows the band expand the margins of their sound with a more experimental approach. The album was described as "smokey" by one critic and an "epic swell of guitar and noise" by another. The album has been said to combine "R&B rhythms with crushed sonic shards," and has been compared to, and is sometimes considered to be shoegazing music.
The album was released in July 1993 by Restless Records in the United States and by Rough Trade Records in Germany. It was a critical success, with critics complimenting its sonic and textural sound. Melody Maker said "this is the kind of record that puts everything else into perspective" and that "this is rock at its most liberated and free-flowing," whilst Creem described the band and their sound unequalled. The band built upon the experimental sound of the album for their following, final album, Here Comes Success (1995).
After forming in 1986, Band of Susans went through numerous line-up changes to accompany the band's core members, band leader and guitarist Robert Poss, bassist Susan Stenger and drummer Ron Spitzer. After releasing two albums, Hope Against Hope (1988) and Love Agenda (1989), the band settled into their "classic line up" in 1990, featuring the two guitarists Anne Husick and Mark Lonergan in addition to the core members. That year, they recorded The Word and the Flesh, not released until 1991, which saw a more melodic and less noise-concerned sound than their prior albums.
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