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Variations on "Là ci darem la mano" (Chopin)


Frédéric Chopin's Variations on "Là ci darem la mano" for piano and orchestra, Op. 2, was written in 1827, when he was aged only 17. "Là ci darem la mano" is a duet sung by Don Giovanni and Zerlina in Act I of Mozart's opera Don Giovanni, and Chopin's adaptation inspired Robert Schumann's famous exclamation, Hats off, gentlemen! A genius!

The work is often recorded and played in concert. A typical performance lasts from 17 to 19 minutes.

The Variations on "Là ci darem la mano" was Chopin's first work for piano with orchestra. In his early career he wrote two concertos and three other concertante pieces, but always remained relatively indifferent to the orchestral elements of these works, often using the orchestra as a mere accompaniment to the much more brilliant piano part.

Chopin often played the variations without accompaniment, and he later abandoned the orchestra almost entirely in his compositions, though he was working on a third concerto as late as 1834, and in 1841 he published the Allegro de Concert, speculated to be the first movement of the unfinished concerto.

The solo piano version has been recorded by Nikolai Demidenko and others.

The work was premiered on 11 August 1829 at the Vienna Kärntnertortheater, with Chopin as the soloist. It received very positive audience and critical acclaim. Writing to his parents in Warsaw about his success, he said that "everyone clapped so loudly after each variation that I had difficulty hearing the orchestral tutti." Publication followed in 1830, with a dedication to his friend Titus Woyciechowski.

Robert Schumann (who was born only 3 months after Chopin) first heard the Variations by the then-unknown Polish composer at a performance by Julius Knorr at the Leipzig Gewandhaus on 27 October 1831. This famously caused him to declare, through the voice of his alter ego Eusebius, Hats off, gentlemen! A genius!, in the 7 December 1831 edition of the Allgemeine musikalische Zeitung. He also practised the work himself for months "in a literally obsessive manner". There is no record that Chopin thanked Schumann for his support at this important early stage of his career.


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