Vamsha Vriksha | |
---|---|
Directed by |
B. V. Karanth Girish Karnad |
Produced by | M. N. Basavarajaiah |
Written by | S. L. Bhyrappa |
Screenplay by | Girish Karnad B V Karanth |
Based on |
Vamsha Vriksha by S. L. Bhyrappa |
Starring | Venkata Rao Talegiri B. V. Karanth L. V. Sharada Rao Girish Karnad Chandrashekhar Uma Shivakumar G. V. Iyer Vishnuvardhan |
Music by | Bhaskar Chandavarkar |
Cinematography | U. M. N. Sharief |
Edited by | Aruna Vikas |
Production
company |
Ananthalakshmi Films
|
Release date
|
|
Running time
|
148 minutes |
Country | India |
Language | Kannada |
Vamsha Vriksha (The genealogy tree), is a 1972 Indian Kannada-language film directed by B. V. Karanth and Girish Karnad, based on S. L. Bhyrappa's novel of the same name. The film won the National Film Awards for Best Direction. It also won the three Filmfare Award in 1972.
This film marked the film debut of actor Vishnuvardhan and actress, Uma Shivakumar. The film was later remade into Telugu as Vamsa Vruksham, starring Anil Kapoor
The story starts in 1924 with Kathyayani, widow of Nanjunda Shrothri, who lives with her in-laws Shrinivasa Shrothri and Bhagirathamma and their servant, Lakshmi, in Nanjangud. After the loss of her husband, Kathyayani did not take to a widow’s garb as her mother-in-law wished because her father-in-law thought it would be too much for the young woman to bear. Shrothri, a scholar in Indian philosophy and the shastras, is occasionally visited by priests and professors for his opinion on an intricate problem in the scriptures. In one such event, Sadashiva Rao, a college lecturer in Mysore, visits Shrothri to discuss some matters of Indian philosophy. Listening to the two men talk, Kathyayani’s thoughts turn to college. Despite a little protest from Bhagirathamma, Shrothri encourages his daughter-in-law to pursue her BA degree, which Nanjunda had been studying for before he had drowned in the nearby Kapila river. At the university, she meets the brother of Sadashiva Rao, Raja Rao, professor of Shakespearean drama and organiser of the Dramatics Club, with whom she falls in love.
Simultaneously, Sadashiva Rao embarks on a massive five-volume project that would detail the cultural history of India from the days of the Indus Valley Civilisation to present times. With an initial grant from Shrothri of Rs. 1,000 and funding from the Maharaja of Mysore, Sadashiva Rao embarks on a tour of India to visit various libraries, monuments, and archives to conduct his research. During his visit to Ajanta, he meets with a Sinhalese couple and their daughter, Karunaratne, a historian of Buddhism from Cambridge. Rao is enchanted by the woman’s sharp mind and dedication to her research, and invites her to continue her studies at his university. Ratne takes Rao up on his offer as she has some admiration for his work, and over the course of her doctoral degree and work with him as his research assistant, falls in love with him.