Vainglory

Vanity is the excessive belief in one's own abilities or attractiveness to others. Prior to the 14th century it did not have such narcissistic undertones, and merely meant futility. The related term vainglory is now often seen as an archaic synonym for vanity, but originally meant boasting in vain, i.e. unjustified boasting; although glory is now seen as having an exclusively positive meaning, the Latin term gloria (from which it derives) roughly means boasting, and was often used as a negative criticism.

In many religions, vanity, in its modern sense, is considered a form of self-idolatry in which one likens oneself to the greatness of God for the sake of their own image, and thereby becomes separated and perhaps in time divorced from the Divine grace of God. In Christian teachings vanity is considered an example of pride, one of the seven deadly sins.

Philosophically speaking, vanity may refer to a broader sense of egoism and pride. Friedrich Nietzsche wrote that "vanity is the fear of appearing original: it is thus a lack of pride, but not necessarily a lack of originality." One of Mason Cooley's aphorisms is "Vanity well fed is benevolent. Vanity hungry is spiteful."

In Western art, vanity was often symbolized by a peacock, and in Biblical terms, by the Whore of Babylon. During the Renaissance, vanity was invariably represented as a naked woman, sometimes seated or reclining on a couch. She attends to her hair with comb and mirror. The mirror is sometimes held by a demon or a putto. Symbols of vanity include jewels, gold coins, a purse, and often by the figure of death himself.

Often we find an inscription on a scroll that reads Omnia Vanitas ("All is Vanity"), a quotation from the Latin translation of the Book of Ecclesiastes. Although that phrase, itself depicted in a type of still life, vanitas (Latin, "emptiness"), originally referred not to obsession with one's appearance, but to the ultimate fruitlessness of humankind's efforts in this world, the phrase summarizes the complete preoccupation of the subject of the picture.

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