V.V. Vereschagin
| Vasily Vereshchagin | |
|---|---|
Vasily Vereshchagin
|
|
| Born |
October 26, 1842 Cherepovets, Novgorod Governorate, Russia |
| Died | April 13, 1904 (aged 61) Port Arthur, Manchuria |
| Nationality | Russian |
| Notable work | St Petersburg Academy |
| Awards | Order of St. George (4th class) |
Vasily Vasilyevich Vereshchagin (Russian: Васи́лий Васи́льевич Вереща́гин, October 26, 1842 – April 13, 1904), transcribed in English as Basil Verestchagin, was one of the most famous Russian war artists and one of the first Russian artists to be widely recognized abroad. The graphic nature of his realist scenes led many of them to never be printed or exhibited.
Vereshchagin was born at Cherepovets, Novgorod Governorate, Russia in 1842 as the middle of three brothers. His father was a landowner of noble birth. When he was eight years old he was sent to Tsarskoe Selo to enter the Alexander Cadet Corps, and three years later he entered the Sea Cadet Corps at St Petersburg, making his first voyage in 1858. He served on the frigate Kamchatka, which sailed to Denmark, France and Egypt.
Vereshchagin graduated first in the list at the naval school, but left the service immediately to begin the study of drawing in earnest. He won a medal two years later, in 1863, from the St Petersburg Academy for his Ulysses Slaying the Suitors. In 1864 he proceeded to Paris, where he studied under Jean-Léon Gérôme, though he dissented widely from his master's methods.
In the Paris Salon of 1866 he exhibited a drawing of Dukhobors chanting their Psalms. In the next year he was invited to accompany General Konstantin Kaufman's expedition to Turkestan. He was granted the rank of ensign. His heroism at the siege of Samarkand from June 2–8, 1868 resulted an award of the Cross of St George (4th class). He was an indefatigable traveler, returning to St. Petersburg in late 1868, to Paris in 1869, back to St. Petersburg later in the year, and then back to Turkestan at the end 1869 via Siberia. In 1871, he established an atelier in Munich, and made a solo exhibition of his works at the Crystal Palace in London in 1873. He made another exhibition of his works in St. Petersburg in 1874, where two of his paintings, namely The Apotheosis of War, dedicated "to all conquerors, past, present and to come," and Left Behind, the picture of a dying soldier deserted by his fellows, were denied a showing on the grounds that they portrayed the Russian military in a poor light. In late 1874, he departed for an extensive tour of the Himalayas, India and Tibet, spending over two years in travel. He returned to Paris in late 1876.
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