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Ustad Barin Mazumder

Barin Mazumder
Native name বারীণ মজুমদার
Born (1921-02-15)15 February 1921
Radhanagar, Pabna, Bengal Presidency, British India
Died 2001 (aged 79–80)
Dhaka, Bangladesh

Barin Mazumder (15 February 1921 – 2001) was a Bangladeshi classical musician and educationist. He was awarded Ekushey Padak in 1983 by the Government of Bangladesh.

Mazumder was born into a Jamindar family at Radhanagar in Pabna District. His father Nishendra Mazumder was an artist and dramatist. His mother used to play sitar.

To nurture his interest in music his father took him to Kolkata where he first learned music from Vishmadev Chatterjee. The first Raag that he learned was “Raag Bhupali”. Two years later when his guru became shonnasi he came back to Pabna, but Mazumder was not satisfied and wanted to go to Lucknow to study music in Maurice Music School. But his uncle who was the patriarch (korta) of the family did not allow him to go. Instead, he brought Ustad Roghurangan Gushwami from Lucknow to teach him music at home. At home, he managed to finish the Maurice College course, but his desire to go to Lucknow made him decide to leave home.

When he reached Lucknow, some Bengali boys helped to take him to the Bengali hotel. At the time, Uday Shankar and Ravi Shankar were also in that hotel. At the college, he met with his friend and fellow musician Chinmoy Lahiri. Lahiri took him to the principal of the Maurice Music School and he was admitted into the third year. Lahiri taught him music beside college classes. Later, Mazumder was attracted o Foiaz Khan and became his novice.

One day when he was in a debate about a topic with Sunil, suddenly Sunil said that Mazumder could not sing. This seemed to be the turning point of his career as he challenged him and said he would become better than him in three months. After that, he continued with his rewaz (musical practice) and soon his song was faster than Sunil's. Then one day as Sunil was in a show he went and performed the Raag of Sunil faster and this made Sunil understand his fault. As he continued to prepare him for music the time of partition came closer. During that time the fees that came from home stopped and he had to struggle hard to even manage the money to return home. He mortgaged his favorite tanpura and returned to Pabna during that very turbulent period.


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