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Used to Be (Beach House single)

"Used to Be"
Used to Be Artwork.jpg
Single by Beach House
from the album Teen Dream
B-side "Apple Orchard (Virgin 4 Track Recording)"
Released October 21, 2008
Format
Recorded July 2008
Genre
Length
  • 3:59 (album version)
  • 3:57 (single version)
Label
Songwriter(s)
Producer(s)
Beach House singles chronology
"Gila"
(2008)
"Used to Be"
(2008)
"Norway"
(2010)
"Gila"
(2008)
"Used to Be"
(2008)
"Norway"
(2010)

"Used to Be" is a song by American dream pop band Beach House from their third studio album, Teen Dream. It was written by lead vocalist and keyboardist Victoria Legrand and guitarist Alex Scally and produced by them along with Chris Coady. The song was released on October 21, 2008 as the album's lead single and features a B-side of a different version of "Apple Orchard", a song which featured on their self-titled debut album.

The single version released in 2008 is included on the band's B-Sides and Rarities compilation album, released on June 30, 2017.

"Used to Be" was recorded by Rob Girardi in Baltimore in July 2008. The B-side "Apple Orchard" was recorded by the band in Baltimore in July 2005. The single features a front, back and inside cover arts, all three are Polaroids photographed by Legrand. The song is the first seven inch single released by the band. According to Carpark Records, the song was "recorded over the summer of 2008 after many exhaustive months of touring." The song contemplates the spiritual and physical effects of life on the ever-changing road, love and getting older. The B-side is a four-track demo version of "Apple Orchard", a song which featured on the band's self-titled debut, recorded three years to the month before "Used to Be". It is one of the first things Scally and Legrand recorded together as Beach House.

Sputnikmusic described "Used to Be" as a "jazzy hop-step," as well as stating it is "easily the record’s most upbeat song."Consequence of Sound said the song doesn't "only open with the sound of the drum machine, but use speed increases of the percussion to move the songs past the down-tempo slow jams Beach House usually seem stuck on." PopMatters said the song is "a revelation at the album’s halfway point. Legrand sings along to the piano melody, and the mix surrounds the listener with multitracked vocals and percussion. Although the instruments are competing for space, the song does not feel overcrowded. The best development within the song is a drum shuffle that emerges from the quarter notes that have been steadily marking the tempo."


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