Until the Quiet Comes | ||||
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Studio album by Flying Lotus | ||||
Released | September 26, 2012 | |||
Recorded | 2011–12 in Mount Washington, Los Angeles | |||
Genre | Electronica,electronic jazz | |||
Length | 46:42 | |||
Label | Warp | |||
Producer | Flying Lotus | |||
Flying Lotus chronology | ||||
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Singles from Until the Quiet Comes | ||||
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Professional ratings | |
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Aggregate scores | |
Source | Rating |
AnyDecentMusic? | 8.2/10 |
Metacritic | 83/100 |
Review scores | |
Source | Rating |
AllMusic | |
The A.V. Club | A− |
Financial Times | |
The Guardian | |
musicOMH | |
The New Zealand Herald | |
NME | 9/10 |
Pitchfork | 8.5/10 |
Rolling Stone | |
Spin | 7/10 |
Until the Quiet Comes is the fourth studio album by American electronic producer Flying Lotus. It was released on September 26, 2012, by Warp Records. After his 2010 album Cosmogramma, Flying Lotus continued his creative partnership with bassist Thundercat and worked with him on music that led to the album. For Until the Quiet Comes, he drew on African percussion and psychedelic musical influences, human-subconscious and dream world concepts, and different mixing techniques and dynamics. He recorded for two years at his home in Los Angeles primarily using an Ableton Live sequencer along with other instruments and software, and recorded with guest vocalists including Erykah Badu, Thom Yorke, and Laura Darlington.
An electronic jazz record, Until the Quiet Comes features free jazz elements, varying musical tones, contracting scale, and shifts in feel. Its songs are sequenced together and characterized by ghostly vocal production, irregular drum beats, pulsating percussive textures, trembling basslines, trilled synthesizers, and fluctuating samples. The album has a journey-like concept and dreamy musical narrative, which Flying Lotus conceived through astral projection and felt could be interpreted uniquely by listeners. Music writers interpret it as a musical accompaniment to dreams, as well as emotional introspection by Flying Lotus.