Unsound Methods
| Unsound Methods | ||||
|---|---|---|---|---|
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| Studio album by Recoil | ||||
| Released | 27 October 1997 | |||
| Recorded | September 1996 to March 1997, The Thin Line, Sussex | |||
| Genre | Electronica | |||
| Length | 58:58 | |||
| Label |
Mute – STUMM 159 Reprise/Warner Bros. – 46820 |
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| Producer | Alan Wilder | |||
| Recoil chronology | ||||
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| Professional ratings | |
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| Review scores | |
| Source | Rating |
| Allmusic |   |
| babysue | |
| CDNOW |  |
Unsound Methods is the debut full-length album and fourth studio release by Recoil, released in 1997. It was recorded at Alan Wilder's home studio, The Thin Line, in Sussex, during sessions that lasted from September 1996 to March 1997. The album was produced by Alan Wilder, with assistance and coordination by Hepzibah Sessa, and additional production and engineering by Steve Lyon. The album was mixed by Wilder (with assistance from Paul Stevens and Simon Shazell).
Unsound Methods was Alan Wilder's fourth Recoil release, and his first since leaving Depeche Mode in June 1995.
The music was very different from previous Recoil offerings. According to Wilder, "...[T]he sound relates much more to the approach taken on Depeche Mode's Songs of Faith and Devotion LP, which featured and combined lots of snatches of performance (with all their inherent feel). These parts were then sampled and sequenced utilizing all the available technology, to hopefully achieve something more interesting than the sound of a band playing together."
Spoken word artist Maggie Estep, Nitzer Ebb vocalist Douglas McCarthy, Songs of Faith and Devotion backup singer Hildia Campbell, and Siobhan Lynch were all vocalists.
All music written by Alan Wilder
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Wikipedia