Ultima IV: Quest of the Avatar | |
---|---|
Cover art
|
|
Developer(s) | Origin Systems |
Publisher(s) | Origin Systems Pony Canyon (Famicom) FCI (NES) Sega (SMS) |
Designer(s) | Richard Garriott |
Composer(s) | Ken Arnold (home computers) Seiji Toda (NES) |
Series | Ultima |
Engine | Ultima IV Engine |
Platform(s) | Amiga, Apple II, Atari 800, Atari ST, Commodore 64, DOS, FM Towns, MSX2, PC-88, PC-98, X68000, X1, FM-7, NES, Master System |
Release date(s) | September 16, 1985 1990 (NES, SMS) |
Genre(s) | Role-playing video game |
Mode(s) | Single-player |
Ultima IV: Quest of the Avatar, first released in 1985 for the Apple II, is the fourth in the series of Ultima role-playing video games. It is the first in the "Age of Enlightenment" trilogy, shifting the series from the hack and slash, dungeon crawl gameplay of its "Age of Darkness" predecessors towards an ethically-nuanced, story-driven approach. In 1996 Computer Gaming World named Ultima IV as #2 on its Best Games of All Time list on the PC. Designer Richard Garriott considers this game to be among his favorites from the Ultima series.
Ultima IV is among the few computer role-playing games, and perhaps the first, in which the game's story does not center on asking a player to overcome a tangible ultimate evil.
After the defeat of each of the members of the triad of evil in the previous three Ultima games, the world of Sosaria underwent some radical changes in geography: Three quarters of the world disappeared, continents rose and sank, and new cities were built to replace the ones that were lost. Eventually the world, now unified in Lord British's rule, was renamed Britannia. Lord British felt the people lacked purpose after their great struggles against the triad were over, and he was concerned with their spiritual well-being in this unfamiliar new age of relative peace, so he proclaimed the Quest of the Avatar: He needed someone to step forth and become the shining example for others to follow.
Unlike most other RPGs the game is not set in an "age of darkness"; prosperous Britannia resembles Renaissance Italy, or King Arthur's Camelot. The object of the game is to focus on the main character's development in virtuous life—possible because the land is at peace—and become a spiritual leader and an example to the people of the world of Britannia. The game follows the protagonist's struggle to understand and exercise the Eight Virtues. After proving his or her understanding in each of the virtues, locating several artifacts and finally descending into the dungeon called the Stygian Abyss to gain access to the Codex of Ultimate Wisdom, the protagonist becomes an Avatar.