Ubu and the Truth Commission is a South African play by Jane Taylor first performed under the directorship of William Kentridge at The Laboratory in Johannesburg's Market Theatre on 26 May 1997.
Produced by the Handspring Puppet Company, and employing a multimedia approach in the tradition of Erwin Piscator and Bertolt Brecht, it combines puppetry with live actors, music, animation and documentary footage, while also drawing extensively on Alfred Jarry's absurdist production Ubu Roi (1896). It fuses the chaos of the Ubu legend with original testimony from witnesses at the post-apartheid Truth and Reconciliation Commission (TRC).
In her "Writer's Note" to the 2007 book-form publication of the play, Taylor wrote,
What has engaged me as I have followed the Commission, is the way in which individual narratives come to stand for the larger national narrative. The stories of personal grief, loss, triumph and violation now stand as an account of South Africa's recent past. History and autobiography merge. This marks a significant shift, because in the past decades of popular resistance, personal suffering was eclipsed — subordinated to a larger project of mass liberation. Now, however, we hear in individual testimony the very private patterns of language and thought that structure memory and mourning. Ubu and the Truth Commission uses these circumstances as a starting point.
The Truth and Reconciliation Commission was established in 1996 with what Taylor described as a "momentous mandate", to solicit testimony from those who considered themselves casualties, perpetrators or survivors of the apartheid atrocity. Coming almost exactly two years after South Africa's first democratic elections, the Commission's purposes, in Taylor's eyes, were "to retrieve lost histories, to make reparation to those who had suffered, to provide amnesty for acts which were demonstrably political in purpose [... and, among the most important] to create a general context through which national reconciliation might be made possible."