UK garage | |
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Stylistic origins | |
Cultural origins | Early 1990s, London, United Kingdom |
Subgenres | |
Fusion genres | |
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UK garage (also known as UKG) is a genre of electronic music originating from the United Kingdom in the early 1990s. The genre usually features a distinctive 4/4 percussive rhythm with syncopated (shuffling) hi-hats, cymbals and snares, and in some styles, beat-skipping kick drums. Garage tracks also commonly feature 'chopped up' and time-shifted or pitch-shifted vocal samples complementing the underlying rhythmic structure at a tempo usually around 130 BPM to 140 BPM. UK garage was largely subsumed into other styles of music and production in the mid-2000s, including 2-step, dubstep, bassline and grime. The decline of UK garage during the mid-2000s saw the birth of UK funky, which is closely related.
The evolution of house music in the United Kingdom in the mid-1990s led to the term, as previously coined by the Paradise Garage DJs, being applied to a new form of music also known speed garage. Its originator is widely recognised to be Todd Edwards, the American house and garage producer, also known as Todd "The God" Edwards. In the early nineties, Edwards began to start remixing more soulful house records and incorporating more time-shifts and vocal samples than normal house records, whilst still living in the US. However, it was not until DJ EZ, the North London DJ, acquired one of Edwards' tracks and played it at a faster tempo in a nightclub in Greenwich, that the music genre really took off.
In the late nineties, the term "UK garage" was settled upon by the scene. This style is now frequently combined with other forms of music like soul, rap, reggae, ragga and R&B, all broadly filed under the description of urban music. The pronunciation of UK garage uses UK /ˈɡærᵻdʒ/ GARR-ij, rather than US /ɡəˈrɑːʒ/ gə-rahzh.