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Turkish archery


Turkish archery is a tradition of archery which became highly developed in the Ottoman Empire, although its origins date back to the Eurasian Steppe in the second millennium BC.

From the decline of military archery after the battle of Lepanto, mainly flight archery was practiced, and Turkish bowyers specialized in weapons which were particularly good for imparting high velocity to very light arrows. The sport of archery declined gradually until the reign of Mahmud II who made great efforts to revive it. He also ordered his archery student, Mustafa Kani, to write a book about the history, construction, and use of these bows, from which comes most of what is now known of Turkish bowyery. After the death of Mahmud II in 1839, archery resumed its decline. The living art of Turkish bowyery was lost in the 1930s with the death of the last bowyer and famous calligrapher, Neçmeddin Okyay; it has since been revived.

The Turkish bow is a recurved composite bow used in the Ottoman Empire. The construction is similar to that of other classic Asiatic composite bows, with a wooden core (maple was most desirable), animal horn on the belly (the side facing the archer), and sinew on the front, with the layers secured together with Animal glue. However, several features of the Turkish bow are distinct. The curvature tends to be more extreme when the bow is unstrung, with the limbs curling forward into the shape of the letter "C". With some bows, the rigid tips of the limbs ("kasan") even touch. The grip area is not recessed like other Asianic bows and is fairly flat on the belly, while the front of the grip bulges outwards.

The dramatic curvature of the bows makes stringing them very different from straighter bows found in Europe. There is an old saying in Turkey that there are "120 ways to string a bow," though the most common methods involve sitting on ground with one's feet pressed against the grip. Heavier bows usually require the use of a long, looped strap called a "kemend" to pull the limbs back and hold them while the string is seated.


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