Trouble Will Find Me | ||||
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Studio album by The National | ||||
Released | May 17, 2013 | |||
Recorded | 2012-13 at Clubhouse, Dreamland and Aaron Dessner's Garage (New York City, United States) |
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Genre | ||||
Length | 55:06 | |||
Language | English | |||
Label | 4AD | |||
Producer | Aaron Dessner, Bryce Dessner | |||
The National chronology | ||||
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Singles from Trouble Will Find Me | ||||
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Professional ratings | |
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Aggregate scores | |
Source | Rating |
Metacritic | 84/100 |
Review scores | |
Source | Rating |
AllMusic | |
The A.V. Club | A− |
Entertainment Weekly | B |
The Guardian | |
The Independent | |
Los Angeles Times | |
NME | 8/10 |
Pitchfork Media | 8.4/10 |
Rolling Stone | |
Spin | 7/10 |
Trouble Will Find Me is the sixth studio album by American indie rock band The National, released on May 17, 2013 on 4AD.
Produced by band members Aaron and Bryce Dessner, the album features appearances from St. Vincent, Sharon Van Etten, Doveman, Sufjan Stevens, Nona Marie Invie of Dark Dark Dark fame, and Richard Reed Parry of Arcade Fire.
The album received widespread critical acclaim upon its release. Trouble Will Find Me reached number three on both the Billboard 200 and the UK Albums Chart. The album was nominated for Best Alternative Music Album at the 56th Annual Grammy Awards.
The National began writing Trouble Will Find Me towards the end of the band's tour in support of previous album, High Violet (2010). Regarding the tour's completion, and the collective mental state of the band at this time, lead vocalist Matt Berninger noted, "[We] felt satisfied at the end of touring High Violet. It was the first time ever, or at least in the past ten years, where we felt like we could put the band on the shelf for a little while, put a record out in three, four years. There wasn’t any sense of, 'what now?'"
Berninger, however, became inspired by guitarists Aaron and Bryce Dessner's recent demo recordings, and subsequently completed his writing contributions to the album's opening track, "I Should Live in Salt", a day after initially hearing it. Bass guitarist Scott Devendorf noted, "Our typical way of working was to send stuff to Matt, then wait a while to get some mumbles back. He seemed really motivated and engaged with the new stuff."