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Trouble's Lament

"Trouble's Lament"
ToriAmosTroublesLament.jpg
Single by Tori Amos
from the album Unrepentant Geraldines
Released March 28, 2014
Format Digital download
Genre Pop rock, alternative rock, acoustic rock
Length 3:40
Label Universal/Mercury Classics
Songwriter(s) Tori Amos
Producer(s) Tori Amos
Tori Amos singles chronology
"Flavor"
(2012)
"Trouble's Lament"
(2014)
"Flavor"
(2012)
"Trouble's Lament"
(2014)

"Trouble's Lament" is a song by American singer/songwriter Tori Amos from her 14th studio album, Unrepentant Geraldines (2014). It was released as the album's lead promotional single on March 28, 2014, by Universal/Mercury Classics as a digital download only.

Trouble's Lament was announced by Amos on March 27 to be the first song available from the album. Cover art was released on Amos' social media sites the same day, along with the album's complete track list.

Musically, the song is influenced by different musical styles, including Americana, folk music, Flamenco and pop music. Amos' piano playing is accompanied by acoustic guitar and sparse percussion. The instrumentation is similar to the music of Neko Case, Patty Griffin, Fleetwood Mac and Amos' own past production on the predominantly acoustic Scarlet's Walk (2002).

The song's lyrics finds Amos stating that "Trouble needs a home" after having left Satan behind, and sings about welcoming Danger into her life.

Of the song's style and background, Amos (who is originally from North Carolina) stated that her Southern roots were influential: "It's really in the blood. It's almost like you listen to the land speaking to you. And wherever I am I can hear the South calling me. I really like the idea that trouble was a young woman....I see her on my travels a lot. And maybe I knew her many years ago when I was in my twenties."

Musicians:

Personnel:

The accompanying music video was shot on location in London, featuring Amos in a diner in Islington. At points in the video three young women (with the help of a young gay male waiter) come into the diner and provide distractions to steal data and files from two businessmen. Their tactics include spilling coffee on one man and having the waiter flirt with the other. They also interact with Amos' character who watches from a nearby table. The end shot shows Amos handing the three women new passports as they sit in the back of her car.


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