Trentemøller | |
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Trentemøller (by Jonas Bang, 2014)
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Background information | |
Birth name | Anders Trentemøller |
Also known as | Businessman P.O.Q Run Jeremy |
Born |
Vordingborg, Denmark |
16 October 1974
Origin | Copenhagen, Denmark |
Genres |
Alternative Indietronica Minimal Electronica Techno Chillout Ambient |
Occupation(s) |
Musician Producer Remixer |
Years active | 1997–present |
Labels | In My Room Poker Flat Recordings Audiomatique hfn music |
Website | anderstrentemoller |
Anders Trentemøller (Danish: [ɑnɐs ˈtˢʁɑnd̥əˌmøˀlɐ]; born 16 October 1974) is a Danish electronic music producer and multi-instrumentalist based in Copenhagen, Denmark.
Anders Trentemøller is a Copenhagen-based musician and producer who started in the late 1990s with different Indie Rock projects, before he turned to electronic music. In 2006, following a line of 12-inch electronic EPs, Trentemøller released his groundbreaking debut album The Last Resort. High placements in several polls for best album of the year followed and exposed his music to a much broader audience.
In 2007 Trentemøller assembled his first full live band with his friends, multi artist Henrik Vibskov on drums and musician Mikael Simpson on guitar. Complete with visuals from director Karim Ghahwagi, the ensuing ‘Trentemøller: Live In Concert’ tour brought him to the US for the first time as well as to some of the biggest festivals in the world, including Glastonbury (UK), Roskilde (Denmark) and Melt! (Germany).
In 2009 ‘The Trentemøller Chronicles’, a double compilation of unreleased songs, his personal favorite non-album tracks as well as a collection of remixes for such high-profile acts as Röyksopp, Moby and The Knife, was released. Later that year Trentemøller hit another personal career landmark, when he headlined the Orange Stage at Roskilde Festival, playing in front of 60,000 people featuring a unique set design created by Henrik Vibskov. The crowd reactions and press reviews were all positive.
After starting up his own record imprint, 'In My Room', Trentemøller’s second album Into the Great Wide Yonder’ was released in 2010. Four years after The Last Resort, it fulfilled the unenviable task of following up a modern classic. It was also a move into a more analogue sound influenced heavily by indie and post punk – and incorporating even more live instrumentation and vocals. The record was met with high praise for taking yet another clear step away from his electronic beginnings into more experimental soundscapes. Expanding his live band, now with seven people on stage, he continued to tour around the world for two years.