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Transatlanticism

Transatlanticism
Transatlanticism.jpg
Studio album by Death Cab for Cutie
Released October 7, 2003
Genre Indie rock
Length 44:11
Label Barsuk
Producer Chris Walla
Death Cab for Cutie chronology
The Photo Album
(2001)
Transatlanticism
(2003)
Plans
(2005)
Singles from Transatlanticism
  1. "The New Year"
    Released: 2003
  2. "The Sound of Settling"
    Released: December 26, 2003
  3. "Title and Registration"
    Released: 2004
Professional ratings
Aggregate scores
Source Rating
Metacritic 85/100
Review scores
Source Rating
AllMusic 4.5/5 stars
Alternative Press 4/5
Blender 3/5 stars
Chicago Sun-Times 3.5/4 stars
Mojo 3/5 stars
Pitchfork 6.4/10
Rolling Stone 3.5/5 stars
Slant Magazine 4/5 stars
Spin A−
Uncut 4/5 stars

Transatlanticism is the fourth studio album by indie rock band Death Cab for Cutie, released on October 7, 2003, by Barsuk Records. The band's second concept album, Transatlanticism features a theme set around long-distance love. Three singles and accompanying music videos were released for the album: "The New Year", "The Sound of Settling", and "Title and Registration". The first two singles, "The New Year" and "The Sound of Settling", reached number 86 and 84, respectively, on the UK Singles Chart.

Transatlanticism received acclaim from critics when it was released and has since been considered the band's greatest album. The album charted at number 97 on the Billboard 200, and has been certified gold by the Recording Industry Association of America (RIAA), for shipments of 500,000 copies in the United States. In 2013, Barsuk Records released Transatlanticism Demos, a collection of demo versions of songs from Transatlanticism to celebrate the tenth anniversary of the album's release.

Similar to all previous Death Cab for Cutie releases, Transtlanticism was mostly written by lead vocalist and guitarist Ben Gibbard, with many of the songs co-written with other members of the band, particularly guitarist and producer Chris Walla. Prior to the album's release, Gibbard stated: "...unlike The Photo Album, I feel like this record is definitely more like a proper album. We’ve tried to construct it with transitions of songs going in and out of each other, and I think it's a little bit more expansive than the last record."


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