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Track of Thunder

Track of Thunder
Track of Thunder.jpg
Directed by Joseph Kane
Produced by E. Stanley Williamson
Written by Maurice J. Hill
Starring Tommy Kirk
Ray Stricklyn
Cinematography Alan Stensvold
Edited by Verna Fields
Production
company
Ambassador Films
Distributed by United Artists
Release date
15 September 1967
Running time
83 mins
Country United States
Language English
Box office $2,500 (US)

Track of Thunder is a 1967 stock car racing film starring Tommy Kirk.

Gary and Bobby are two stock car drivers who grew up together and both love the same girl, Shelley. Fake newspaper articles by Georgina Clark start appearing highlighting a feud between them. At first Bobby and Gary ignore the reports but eventually the rivalry becomes genuine.

It turns out Georgina is in cahoots with Maxwell Carstairs, manager of the racetrack, who has been hired by a syndicate to turn the sport into a lucrative gambling venture; the articles are to increase attendances.

Bobby's mechanic, Bowswer Smith, exposes the truth. Bobby refuses to drive Carstairs' car in the big race so Bowser replaces him and is killed.

Bobby quits racing and settles down on a farm with Shelley. Gary becomes a champion stock car racer. Gary's father marries Bobby's mother and Carstairs is arrested for embezzlement.

Filming started in October 1966 and mostly took place around Nashville.

In real life, Tommy Kirk was a go-karting enthusiast. However he did not remember the movie fondly:

James Dobson was the other big star and he was a complete jerk... as far as I'm concerned, one of the most obtuse and insensitive people I've ever known in my life. I was fooling around with drugs at the time so I was about half awake in that film. I just sort of walked through it and took the money. I don't think it's a completely useless piece of trash like some of the other things I did, but it's not much of a film.

The New York Times called it a "tired, cliché-ridden little movie" which should "discourage any similar projects about stock-car racing for some time to come" and "probably will dampen the hopes of any youngsters intending to make a career of slamming around a speedway in a churning mass of autos. The film is that dull." However it did allow some of the facing footage was "okay. The cars move, in fact, miles ahead of the plot and most of the performances" and that "there is some quite, steady acting, in the standard role of a worried mother, by Faith Domergue—more real acting than the lady ever achieved in her glamour-girl heyday."


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