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Tor di Nona


The Tor di Nona is a neighborhood in Rome's rione Ponte. It lies in the heart of the city's historic center, between the Via dei Coronari and the Tiber River. Its name commemorates the Torre dell'Annona, a mediaeval tower which once stood there and was later converted into one of the city's most important theatres, the Teatro Tordinona, later called the Teatro Apollo.

The Torre dell'Annona was a medieval stronghold of the Orsini family and from the early 15th century, acted as a pontifical prison. Prisoners included Benevenuto Cellini who experienced the dungeon's lightless cells, one of which was known as "the pit", Beatrice Cenci, and Giordano Bruno who was imprisoned here before being burned alive in Campo de' Fiori.

When the New Prison (Le Carceri nuove) was built in Via Giulia, Tor di Nona was rebuilt in 1667 as a theatre patronized by Queen Christina of Sweden and the best Roman company. In January 1671 Rome's first public theatre opened in the former jail.Filippo Acciaiuoli was the first director. The new pope Clement X worried about the influence of theatre on public morals. When Innocent XI became pope, things turned even worse; he made Christina's theatre into a storeroom for grain, although he had been a frequent guest in her royal box with the other cardinals. He forbade women to perform with song or acting, and the wearing of decolleté dresses. Christina considered this sheer nonsense, and let women perform in her palace.

There are many perhaps unexecuted drawings for it by Carlo Fontana, bound in an album which passed into the hands of Scottish architect Robert Adam, now at Sir John Soane's Museum, London (Concise Catalogue). The theater suffered the fires and rebuildings that theaters are prone to, and was finally swept away when the embankments of the Tiber (lungoteveri) were built in 1888; this section was named Lungotevere Tor di Nona.


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