Top of the Pops, Volume 10

Top of the Pops
Genres	Pop music
Years active	1968–1985
Labels	Hallmark

Top of the Pops is the name of a series of records issued by Pickwick Records on their Hallmark label, which contain anonymous cover versions of recent and current hit singles. The recordings were intended to replicate the sound of the original hits as closely as possible. The albums were recorded by a studio group comprising session musicians and singers who remained uncredited, although they included Tina Charles and Elton John before they became famous in their own right.

Record producer Alan Crawford conceived the idea for Top of the Pops, having noted several UK labels such as Music for Pleasure pioneer the anonymous covers format during 1967 and 1968. Crawford's key idea was to create a continuous series of albums with the same title. The Pickwick label agreed to undertake Crawford's idea and the first volume was issued in mid-1968, containing versions of twelve hits including "Young Girl", "Jennifer Eccles", "Do You Know The Way To San Jose" and "I Can't Let Maggie Go". A second volume appeared later in the year and included versions of two Beatles songs.

In 1969 new volumes began appearing at generally regular intervals, with a new LP released every six to eight weeks. Volume numbers were not stated on the record sleeves, each edition simply called Top of the Pops, the name derived from the un-trademarked BBC television show of that name, with which there was no direct connection.

From 1968 to 1985, Hallmark Records released nearly 100 albums consisting of covers of Top 40 hits. According to session singer Tony Rivers, "In those days, more often than not, you had to do 3 songs in 3 hours then you were out of there!! Not much chance of getting good at it!". However, he also notes that "there was good and there was bad", and that the studio singers and musicians usually tried their best. Dave Thompson for AllMusic stated that "it becomes apparent that the trick is not to look upon the songs as straightforward attempts to copy the hit song, but as interpretations rendered in the style of the hit". Part sound-alikes, part true covers, the series sold well, and two of the albums reached hit No. 1 on the UK Albums Chart. In 2002, Hallmark Records went back to the mastertapes, re-issuing several of the original albums, and releasing compilations using the recordings, which have a following of their own.

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