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Too Low for Zero

Too Low for Zero
Too low for zero.JPG
Studio album by Elton John
Released 30 May 1983
Recorded September 1982 – January 1983
Studio AIR Studios (Montserrat) and Sunset Sound Recorders (Hollywood, CA).
Genre Rock, pop rock, new wave
Length 44:06
Label Geffen (US)
Rocket (UK)
Producer Chris Thomas
Elton John chronology
Jump Up!
(1982)
Too Low for Zero
(1983)
Breaking Hearts
(1984)
Singles from Too Low for Zero
  1. "I Guess That's Why They Call It the Blues"
    Released: April 1983
  2. "I'm Still Standing"
    Released: 3 July 1983
  3. "Kiss the Bride"
    Released: 1983
  4. "Cold as Christmas (In the Middle of the Year)"/"Crystal"
    Released: 1983
  5. "Too Low for Zero"
    Released: 1984
Professional ratings
Review scores
Source Rating
AllMusic 4.5/5 stars
Rolling Stone 3/5 stars

Too Low for Zero (stylized as 2 ↓ 4 0), released in 1983, is the seventeenth official album release for Elton John. The album marked a return to form for John, whose previous four albums had failed to yield many enduring international hit singles, and had disappointing sales compared to his string of hit records released during the first half of the 1970s. It is his best selling album of the 1980s, earning Platinum certification by the RIAA. It produced several hit songs, each accompanied by successful MTV music videos, and it spent over a year on the Billboard album chart.

For the first time since Blue Moves in 1976, all lyrics were written by Bernie Taupin. At the insistence of Taupin, John decided to go back to basics and returned to working with Taupin full-time. John also reunited with the core of his backing band of the early '70s: Dee Murray, Nigel Olsson and Davey Johnstone as well as Ray Cooper, Kiki Dee and Skaila Kanga (who played harp on John's self-titled album and Tumbleweed Connection).

The album was produced by Chris Thomas and recorded at AIR Studios in Montserrat (the same studio for Jump Up!) and Sunset Sound Recorders in Hollywood.

For the first time since A Single Man, John played synthesizers in addition to piano, since James Newton-Howard left the band. John felt that synths allowed him to write better fast rock songs, having not been entirely happy with such compositions performed on piano.


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