Tony Robert-Fleury | |
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Photograph by Franz Benque
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Born |
September 1, 1837 Paris |
Died |
December 8, 1911 (aged 74) Paris |
Nationality | French |
Known for | Painting |
Tony Robert-Fleury (1 September, 1837 – 8 December, 1911) was a French painter, known primarily for historical scenes. He was also a prominent art teacher, with many famous artists among his students.
He was born just outside Paris, and studied under his father Joseph-Nicolas Robert-Fleury and under Paul Delaroche and Léon Cogniet at the École des Beaux-Arts (School of Fine Arts) in Paris.
His first painting at the Salon de Paris, in 1866, was a large historical canvas, titled Varsovie, Scene de l'Insurrection Polonaise, recalling the events of April 8, 1861 in Warsaw, when Russian troops quenched riots by force. In the following year, his "Old Women in the Place Navone, Rome" was purchased by the Musée du Luxembourg.
In 1870, he painted a canvas of Le Dernier Jour de Corinthe (Last Day of Corinth), which depicted the last day before the Roman legions looted and burned the ancient Greek city, according to Livy. This painting was also purchased by the Musée du Luxembourg, it is on display at the Musée d'Orsay. In 1880, he painted a ceiling for the Luxembourg Palace in Paris, representing "The Glorification of French Sculpture."
Robert-Fleury painted Pinel a la Salpêtrière (1876), which depicts the famed Father of Modern Psychiatry among the inmates of the asylum. Philippe Pinel in 1795, had been named chief doctor at the asylum, he had instituted more charitable and rational treatments, without chains.
In 1875, Robert-Fleury painted Charlotte Corday at Caen, which shows the woman coming to the passionate conclusion that Marat needed to be murdered. In 1882 he painted Vauban donnant le plan des fortifications de Belfort where the celebrated engineer is represented in Louis XIV costume reviewing maps and designs, while in the background laborers engage on building.