Professional ratings
Review scores
Source	Rating
About.com	link
AllMusic	link
BBC	fairly positive link
Boston Globe	fairly positive link
Entertainment Weekly	C+ link
Now	link
Rolling Stone	link
USA Today	link

Tomorrow is the second studio album by reggae singer Sean Kingston. The album was released on September 7, 2009. Currently, two singles have been released from the album. Despite "Fire Burning" being a huge summer hit in 2009, the album only peaked at #37 on the U.S. Billboard 200 albums chart with only 13,000 copies sold in the first week of release. It dropped out of the top 40 the next week, falling 40 spots to #87.

Tomorrow's sound is significantly different from the sound of Kingston's debut album. In this new LP, he explores sounds of 1990s eurodance and electropop, using instruments like Roland 808 drum machine, Auto-Tune and synthesizers while adding his signature reggae and pop music.Tomorrow also melds together genres of punk rock and soft rock, shown in "Shoulda Let Go" featuring American rock band Good Charlotte. Influences of nu-disco, Euro disco and electropop show on "Fire Burning", "Face Drop", and "My Girlfriend". The song "War" was originally supposed to feature rap artist Lil Wayne, but he was taken out of the song on the final version.

David Jeffries of AllMusic favored songs "Fire Burning", "Face Drop", "My Girlfriend", "Shoulda Let U Go", and "Ice Cream Girl" and feels ""Tomorrow" proves Kingston can provide a whole album's worth of pool-side entertainment even without the 'Beautiful Girls'-sized single." Jon Dolan of Rolling Stone said "For the most part--despite Auto-Tuned slow songs--Kingston's mix of young-adult desire and disco heat shows he can cross over in unexpected directions." Simon Vozick-Levinson of Entertainment Weekly felt that "Although he's got plenty of hooks, personality is in much shorter supply". While some of his reviews are positive, others feel his album lacks novelty and interest. Jason Richards of Now Magazine said that although he is a good singer-songwriter, his album lacks novelty and feels irritating. Apparently to Sarah Rodman of The Boston Globe, Kingston's collections of "silly lyrics and robotic tempos of Sean Kingston’s sophomore album slide if it were mid-July and we were in the mood for Euro-disco/reggae mash-ups, and straight-up electro-pop." Bill Lamb of About.com:

...
Wikipedia