Tommy Tedesco | |
---|---|
Birth name | Thomas J. Tedesco |
Born |
Niagara Falls, New York, U.S. |
July 3, 1930
Origin | Los Angeles |
Died | November 10, 1997 Northridge, California |
(aged 67)
Genres | Jazz fusion, rock, pop, soundtrack |
Occupation(s) | Musician, composer, teacher |
Instruments | Guitar |
Years active | 1950s–1990s |
Labels | Discovery, Capri |
Thomas J. Tedesco (July 3, 1930 – November 10, 1997) was an American guitarist and studio musician in Hollywood.
Tedesco's credits include the theme from television's Bonanza, The Twilight Zone, Vic Mizzy's theme from Green Acres, M*A*S*H, Batman, and Elvis Presley's '68 Comeback Special. Tedesco was shown on-camera in a number of game and comedy shows, and played ex-con guitarist Tommy Marinucci, a member of Happy Kyne's Mirth-Makers, in the talk-show spoof Fernwood 2 Night.
Born in Niagara Falls, New York, Tedesco moved to the West Coast where he became one of the most-sought-after studio musicians between the 1960s and 1980s. Although he was primarily a guitar player, he also played mandolin, ukulele, sitar and over twenty other stringed instruments.
Tedesco was described by Guitar Player magazine as the most recorded guitarist in history, having played on thousands of recordings, many of which were top 20 hits. He recorded with most of the top musicians working in the Los Angeles area including the Beach Boys, the Mamas & the Papas, the Everly Brothers, the Association, Barbra Streisand, Jan and Dean, the 5th Dimension, Elvis Presley, Sam Cooke, Ella Fitzgerald, Frank Zappa, Ricky Nelson, Cher, and Nancy and Frank Sinatra as well as on Richard Harris's classic "MacArthur Park". His playing can be found on Jack Nitzsche's "The Lonely Surfer", on Wayne Newton's version of "Danke Schoen", B. Bumble and the Stingers's "Nut Rocker", the Rip Chords' "Hey Little Cobra", the Ronettes' "Be My Baby", the Sandpipers' "Guantanamera", the T-Bones' "No Matter What Shape'" and Nino Tempo & April Stevens' version of "Deep Purple". For Guitar Player, Tedesco wrote a regular column called "Studio Log" in which he would describe a day's work recording a movie, TV show or album, the special challenges each job posed and how he solved them, what instruments he used, and how much money he made on the job.