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Tomie: Re-birth

Tomie: Re-birth
Tomie- Re-birth FilmPoster.jpeg
Directed by Takashi Shimizu
Produced by
  • Tōru Ishii
  • Makoto Okada
  • Yoichiro Onishi
  • Shun Shimizu
  • Tsutomu Tsuchikawa
Screenplay by Yoshinobu Fujioka
Based on Tomie
by Junji Ito
Starring
Music by Gary Ashiya
Cinematography Yoichi Shiga
Edited by Ryuji Miyajima
Production
company
Planet Entertainment
Distributed by Starmedia Home Entertainment
Release date
  • March 24, 2001 (2001-03-24)
Running time
101 minutes
Country Japan
Language Japanese

Tomie: Re-birth (富江 re-birth?) is a 2001 Japanese horror film directed by Takashi Shimizu as the third installment of the Tomie film series, based on a manga of the same name by Junji Ito. The film was released in Japan on March 24, 2001, and screened at the Manila Eiga Sai (Japanese Film Festival) in Philippines on September 3, 2005.

An artist named Hideo is painting his girlfriend Tomie (Miki Sakai), but she dismisses it as a poor painting and he kills her in a jealous rage with an art knife and his two friends Shunsuke and Takumi help him bury her. When the three friends are at a party Tomie shows up and the artist kills himself in the bathroom. Tomie latches onto Shunsuke and his mother kills Tomie and they cut her up together in an unnatural ecstasy. They then burn her head, which has already started to regenerate and has some crude limbs for locomotion. The portrait of Tomie allows for her regeneration, as her supernatural blood mixed with the pigments. Takumi's girlfriend Hitomi gets possessed by Tomie, in a rather viral fashion. In a fit of jealousy, the two Tomies try to eliminate the other.

Hitomi doesn't want to become a monster, and so they decide to commit suicide. However, when at a waterfall, about to commit suicide, Tomie's head grows on the side of Hitomi's neck next to her head. They all die and then Takumi's sister comes and throws flowers into the water. A small facial mole can be seen directly beneath the sister's left eye, suggesting that, because Takumi gave her the portrait of Tomie, she was also possessed by her. Thus, the sister is the newest Tomie.

Blogcritics made note of the film's slow pace, quiet sets, and lack of gore, and wrote that there even with its high body count, there appeared to be "a conscious effort to keep to decorum in the traditional sense of the word, which means to say even during a dismemberment there is still little to show for it except an artfully expanding pool of blood and Tomie’s severed head watching from a bowl." In admitting he lacked the cultural references, The reviewer felt that a viewer would "probably need to be a fan of the manga and the previous movies to get anything from this." He wrote he appreciated the slow pace of a creeping horror film having the ability to give him "the heebie-jeebies", but that the pacing in this film seemed pointless, the representation of a "pixie-cute girl with the tittering laugh" was annoying, and he did not understand the interactions between the players.


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