Tom Kristensen (poet)
| Tom Kristensen | |
|---|---|
| Born |
4 August 1893 London, England, United Kingdom |
| Died | 2 June 1974 (aged 80) Thurø, near Svendborg, Denmark |
| Occupation | Poet, journalist, novelist and literary critic |
| Nationality | Danish |
| Period | 1920–1954 |
| Genre | Travelling and poetry |
Tom Kristensen (4 August 1893 – 2 June 1974), was a Danish poet, novelist, literary critic and journalist.
Kristensen was born in London to Danish parents, but grew up in Copenhagen and was educated at the University of Copenhagen.
Kristensen is considered one of the most colourful poets of his generation. His two collections of poems Fribytterdrømme (1920, "Freebooter Dreams") and Mirakler (1922, "Miracles") are classics of Danish expressionism, marked by revolutionary artistic enthusiasm and restlessness. Påfuglefjeren (1922, "The Peacock Feather") which is inspired by a journey to China, is deeper and more sombre, especially the poem Henrettelsen ("The Execution") that is depicting a man's intense powers of observation just before he is beheaded, which can be considered a modernist manifesto. The contemporary novel Livets Arabesk (1921 – "The Arabesque of Life") is a revolutionary futuristic fantasy in expressionist form. He started his career as a literary reviewer and critic in Tilskueren in May 1923.
In 1930 he published perhaps his most well-known work, the novel Hærværk (literally: Vandalism, published in English as Havoc in 1968). Hærværk is the story of Danish journalist Ole Jastrau who is driven to self-destruction by drinking himself to death. Apart from its presumed autobiographical character, it probably reflects the intellectual, political and personal crises of many writers and artists between the World Wars. A poem from this novel, Angst ("Fear"), with its fascination with disaster, has become a classic. The book is also considered one of the best literary Danish-language depictions of alcoholism.
During the 1930s, Kristensen concentrated on poems, of which he was a master – many are found in Mod den yderste Rand (1936, "Against the furthest Edge") and Digte i Døgnet (1940, "Poems a Day"). A final collection of poems Den sidste Lygte (1954, "The last Lamp") parades the themes of his writings.
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