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Tom Cobb


Tom Cobb or, Fortune's Toy is a farce in three-acts (styled "An Entirely Original Farcical Comedy") by W. S. Gilbert. It opened at the St. James's Theatre on 24 April 1875. Although it was praised by the critics, the original production of the play ran for only 53 performances.

Arthur Sullivan's The Zoo played as an afterpiece to Tom Cobb.

Gilbert and Sullivan had already produced their hit one-act comic opera Trial by Jury by the time Tom Cobb was written, but both Gilbert and Sullivan were still producing a considerable amount of work separately.

Several plot elements from Tom Cobb reappear in Gilbert and Sullivan's last opera, The Grand Duke (1896). This full-length romantic farce was a departure by Gilbert from his earlier farces, which had generally been short works in one act.

Gilbert claimed, in a 1903 story article called "My Last Client", that the idea for the play came to him when he attended the funeral of T. W. Robertson in 1871 and a man in the crowd reminded him of Robertson. However, Gilbert based Tom Cobb on a short story that he had written in 1871 called "Tom Poulton's Joke", in which the title character attends his own "funeral", as in the story told by Gilbert in "My Last Client". In Tom Cobb there is no such incident.Arthur Sullivan and F. C. Burnand had earlier written Cox and Box, in which a man describes how he "killed himself" yet remains alive.

Act I: A shabby but pretentious sitting-room in Colonel O'Fipp's house.

Matilda, the Colonel's daughter, is engaged to Tom Cobb, a penniless young surgeon. Tom rents a room at O'Fipp's house. He is in debt to a moneylender and has lent the money to O'Fipp in exchange for some worthless I.O.U.s. The money-lender has just signed judgement against Tom, so Tom is in bad financial straits as the play opens.

Whipple, a successful young surgeon, also wishes to marry Matilda. He proposes to her, but she says she prefers Tom. She notes, however, that if Tom hasn't married her in another month, she'll talk to Whipple again. Tom tells Whipple about his financial difficulties. Whipple notes that one of his old patients has just died. The deceased had had no name of his own, so Whipple had called him Tom Cobb as a joke. Whipple suggests that Tom make people think the dead man is young Tom Cobb, lie low for a few months, and come back to life with a new name and a clean slate. Tom adopts the suggestion and leaves immediately, Whipple giving him £25 to tide him over.


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