Tilt (Scott Walker album)
| Tilt | ||||
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| Studio album by Scott Walker | ||||
| Released | 8 May 1995 | |||
| Recorded | RAK Recording Studios, Townhouse Studios | |||
| Genre |
Art rock Avant-garde Experimental |
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| Length | 56:58 | |||
| Label | Fontana | |||
| Producer | Scott Walker and Peter Walsh | |||
| Scott Walker chronology | ||||
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| Professional ratings | |
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| Review scores | |
| Source | Rating |
| Allmusic |   |
| City Pages | (favorable) |
| Rolling Stone | |
Tilt is the twelfth studio album by the American solo artist Scott Walker. It was released on 8 May 1995 and reached number 27 on the UK albums chart. No singles were released from the album. It was Walker's first studio album in eleven years.
Walker composed the songs for the album between 1991 and 1992 except "Manhattan", which was written in 1987, and the final song "Rosary", which was composed in 1993. The album was recorded at RAK Recording Studios and Townhouse Studios in the UK and its release had been expected as early as 1992 but was not completed until 1995. The album is the first installment of a "trilogy" that went on to include The Drift (2006) and Bish Bosch (2012).
The songs on the album have a decidedly bleak, forlorn and funereal mood; the lyrics are replete with arcane allusions and recondite wordplay and ellipses. Like Walker's previous effort, Climate of Hunter (1984), Tilt combines elements of industrial music with European avant-garde and experimental influences. The unusual literary, musical and performance qualities of Walker's songwriting and singing are reminiscent of the lieder and "art song" traditions — forms which long predate the era of recorded popular music and electronic media.
The compositions emphasize abstract atmospherics over harmonic structure, with minimalist, slightly discordant "sound blocks" and trance-like repetition rendered through carefully nuanced instrumentation and sparsely deployed sonic effects. Walker's voice resonates in a cavernous echo, taking on a haunted, distant, desolate quality, which one reviewer characterized as "Samuel Beckett at La Scala".
The opening track, "Farmer in the City", is subtitled "Remembering Pasolini". A few of the lyrics are appropriated from Norman Macafee's English translation of Pier Paolo Pasolini's poem, "Uno dei Tanti Epiloghi" ("One of the Many Epilogs"), which was written in 1969 for Pasolini's friend and protégé, the scruffy young nonprofessional actor, Ninetto Davoli. Throughout the song, Walker's chant of "Do I hear 21, 21, 21...? I'll give you 21, 21, 21...", may be a reference to Davoli's age when he was drafted into (and subsequently deserted from) the Italian army. [1]
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