Throne of Wisdom

In the Roman Catholic tradition, the epithet "the Seat of Wisdom" or "Throne of Wisdom" (a translation of the still-used Latin sedes sapientiae) is identified with one of many devotional titles for the Mother of God. The iconographic realization of the "Seat of Wisdom" in Italy, especially, is referred to as the Maestà.

The phrase Sedes Sapientiae, which was characterized in the 11th and 12th centuries, by Peter Damiani and Guibert de Nogent as likening Mary to the Throne of Solomon, refers to her status as a vessel of the incarnation, carrying the Holy Child. As the phrase associates the Blessed Virgin with glory and with teaching, Madonna-images in this tradition are especially popular in Catholic imagery, while Protestant churches often downplay veneration for Mary (and other saints), and the veneration of images. However, this is not universally the case, with Merton College, Oxford commissioning an image of Our Lady "sedes sapientiae" for its Chapel in 2014.

In Christian iconography, Sedes sapientiae ("The Throne of Wisdom") is an icon of the Mother of God in majesty. When the Virgin is depicted in sedes sapientiae icons and sculptural representations, she is seated on a throne, with the Christ Child on her lap. For the more domestic and intimate iconic representations of Mary with the infant Jesus on her lap, see Madonna and Child. The Roman Catholic Church honors Mary, Seat of Wisdom, with a feast day on June 8.

This type of madonna-image is based on the Byzantine prototype of the Chora tou Achoretou (the Container of the Uncontainable), an epithet mentioned in the Acathist Hymn and present in the Greek East by the early 11th century, when the Byzantine-inspired enamels were made in Germany for the Matilda Cross The type appeared in a wide range of sculptural and, later, painted images in Western Europe, especially about 1200. In these representations, some structural elements of the throne invariably appear, even if only handholds and front legs. For hieratic purposes, the Virgin's feet often rest on a low stool. Later, Gothic sculptures of the type are more explicitly identifiable with the Throne of Solomon, where

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