The album marked the departure of founding bassist Andrew Dyer, who was replaced by longtime sound engineer Teddy Cleaver. It was also a return to the band's original label, the independent Shock Records, after being dumped by Polydor following a takeover of that label by Universal.

Melbourne's Herald Sun noted the album abandoned the two-guitars approach in favour of cheap synthesisers and broadened the band's rock base to encompass disco and eletro-funk. Singer/guitarist Andrew Cox said: "Our two records prior to this were very guitar-pop records and we weren't keen on making the same album again. Being fairly limited guitarists there was only so far in this direction we could progress. So the keyboard thing is just an interesting way for us to explore a few more sounds."

Cox told The Age that album was a collection of "happy songs". "I think it's just more of a pop album. Our last album (Lazy Highways) was possibly our most introspective album, quite a melancholy one, whereas I think this one is a bit more brasher and a little bit more upbeat, probably just more straight-out happy songs. We just felt pretty positive while we were making it and really happy with it as we were going along. I think it was the whole thing of doing it ourselves, without having people looking over our shoulder and telling us we had to have this and that on there, and constantly reinforcing that we had to sell 'x' number of units."

(all songs by The Fauves)

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Wikipedia