Thomas Dewing | |
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Born |
Thomas Wilmer Dewing May 4, 1851 Boston, Massachusetts |
Died | November 5, 1938 New York City |
(aged 87)
Nationality | American |
Education | Académie Julian, Paris |
Known for | Painting |
Movement | Tonalism |
Spouse(s) | Maria Oakey Dewing |
Patron(s) | John Gellatly, Charles Lang Freer |
Thomas Wilmer Dewing (May 4, 1851 – November 5, 1938) was an American painter working at the turn of the 20th century. Schooled in Paris, Dewing was noted for his figure paintings of aristocratic women. He was a founding member of the Ten American Painters and taught at the Art Students League of New York. The Freer Gallery of Art at the Smithsonian Institution has a collection of his works. He was the husband of fellow artist Maria Oakey Dewing.
He was born in Boston, Massachusetts and was a lithographic apprentice as a boy or young man. He studied at the Académie Julian in Paris with Gustave Boulanger and Jules Lefebvre beginning in 1887. "There he learned an academic technique; the careful delineation of volumetric form and meticulous but subtle evocation of texture were to be constant features of his work."
He moved to New York in 1880 where he met and married Maria Oakey Dewing, an accomplished painter with extensive formal art training and familial links with the art world. They had a son who died while an infant. In 1885 their daughter Elizabeth was born. The Dewings spent their summers at the Cornish Art Colony in New Hampshire from 1885 to 1905.
Upon his return to the United States from France in 1878, Dewing returned to Boston. The following year he painted Morning, a composition of two women dressed in Renaissance gowns, which is said by biographer Ross C. Anderson to have the quality of Pre-Raphaelite paintings and emotion of a James McNeill Whistler work. He began teaching at the Art Students League of New York in 1881, the same year he married Maria Oakley.