Thirds (album)
| Thirds | ||||
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| Studio album by James Gang | ||||
| Released | April 1971 | |||
| Recorded | Fall 1970 at Record Plant, Los Angeles, CA; Cleveland Recording Company, Cleveland, OH; Hit Factory, New York, NY | |||
| Genre | Rock, Hard Rock | |||
| Length | 36:02 | |||
| Label |
ABC ABCX 721 |
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| Producer | James Gang & Bill Szymczyk | |||
| James Gang chronology | ||||
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| Professional ratings | |
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| Review scores | |
| Source | Rating |
| AllMusic |
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Thirds is the third studio album by the American rock band, James Gang. The album was released in mid 1971, on the label ABC Records. It is the last studio album featuring Joe Walsh. "Walk Away" was released as a single, making the Top 40 on at least one national chart, reaching #51 on the Billboard Hot 100, the best placement of a James Gang single. The album reached Gold status in July 1972.
On the liner notes to the LP version of this 1971 album, Joe Walsh is credited with "guitar, vocals, and train wreck", the latter for his work on the song "Walk Away" as a wry commentary on the multi-tracked, cascading lead guitars that clash as the song fades out.
The Walsh period of the band came to a close with the release of the live album James Gang Live in Concert.
Writing for AllMusic, critic William Ruhlman wrote the album "though Thirds quickly earned a respectable chart position and eventually went gold, it was not the commercial breakthrough that might have been expected."
Billboards review stated: "The James Gang has another good one here, another set scoring artistically and slated to score commercially. This hot trio has solid material, such as "Walk Away," country-flavored material such as "Dreamin' In The Country," and other top material, including "Midnight Man." "White Man/Black Man" is another winner." John Mendelsohn in Rolling Stone was equivocal stating "By no exertion of the imagination are James Gang the greatest rock and roll band ever to walk the face of the earth or anything... but they are capable of some nice little treats every now and again." Mendelsohn conversely called "White Man/Black Man" "a real no-two-ways-about-it embarrassment in the form of an overproduced plea for Greater Understanding between the races so that we can all Live Together."
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