"These Foolish Things (Remind Me of You)" | ||||
---|---|---|---|---|
Single by Billie Holiday | ||||
Released | 1936 | |||
Format | 78 RPM single | |||
Recorded | 1936 | |||
Genre | Jazz blues | |||
Writer(s) | Eric Maschwitz | |||
Billie Holiday singles chronology | ||||
|
"These Foolish Things" | ||||
---|---|---|---|---|
Single by James Brown | ||||
B-side | "(Can You) Feel It Part 1" | |||
Released | 1963 | |||
Format | 7" | |||
Genre | Rhythm and blues, traditional pop | |||
Length | 2:51 | |||
Label |
King 5767 |
|||
Writer(s) | ||||
James Brown charting singles chronology | ||||
|
"These Foolish Things (Remind Me of You)" is a standard with lyrics by Eric Maschwitz and music by Jack Strachey, both Englishmen. Harry Link, an American, sometimes appears as a co-writer; his input is probably limited to an alternative "middle eight" (bridge) which many performers prefer.
It is one of a group of "Mayfair songs", like "A Nightingale Sang in Berkeley Square". Maschwitz wrote the song under his pen name, Holt Marvell, for Joan Carr for a late-evening revue broadcast by the BBC. The copyright was lodged in 1936. Maschwitz was romantically linked to the Chinese-American actress Anna May Wong while working in Hollywood, and the lyrics are evocative of his longing for her after they parted and he returned to England.
Billie Holiday's rendering of the song with Teddy Wilson's orchestra was a favourite of Philip Larkin's, who said of it: "I have always thought the words were a little pseudo-poetic, but Billie sings them with such passionate conviction that I think they really become poetry." Holiday's cover of the song peaked to No. 5 on the Billboard Pop Songs chart.
When the song was written, Maschwitz was Head of Variety at the BBC. It is a list song (Maschwitz calls it a "catalogue song" in his biography), in this case working through the various things that remind the singer of a lost love. The lyrics – the verse and three choruses – were written by Maschwitz during the course of one Sunday morning at his flat in London. Within hours of crafting the lyrics, he dictated them over the phone to Jack Strachey and they arranged to meet the same evening to discuss the next step.
The song was not an immediate success and even Keith Prowse, Maschwitz's agent, refused to publish it, releasing the copyright to Maschwitz himself – a stroke of luck for the lyricist. Writing in 1957, he claimed to have made £40,000 from the song. Despite being featured in Spread it Abroad, a London revue of 1936, it aroused no interest until the famous West Indian pianist and singer, Leslie Hutchinson ("Hutch") discovered it on top of a piano in Maschwitz's office at the BBC. "Hutch" liked it and recorded it, whereupon it became a great success and was recorded by musicians all over the world. This first recording by "Hutch" was by HMV in 1936. It was featured in the 1949 film Tokyo Joe, with Humphrey Bogart.