The Wealth of Networks
Original 1st edition cover
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| Author | Yochai Benkler |
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| Country | United States |
| Language | English |
| Subject | Social and economic impact of networked information technology, the cultural commons... |
| Publisher | Yale University Press |
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Publication date
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2006 |
| Media type | Print (Paperback) |
| Pages | 515 |
| ISBN | |
The Wealth of Networks: How Social Production Transforms Markets and Freedom is a book by Harvard Law School professor Yochai Benkler published by Yale University Press on April 3, 2006.
A PDF of the book is downloadable under a Creative Commons Noncommercial Sharealike license. Benkler has said that his editable online book is "an experiment of how books might be in the future", demonstrating how authors and readers might connect instantly or even collaborate.
Benkler describes the current epoch as a "moment of opportunity" due to the emergence of what he terms the Networked Information Economy (NIE), a "technological-economic feasibility space" that is the result of the means of producing media becoming more socially accessible. Benkler states that his methodology in the text is to look at social relations using economics, liberal political theory, and focuses on individual actions in nonmarket relations.
Benkler sees communication and information as the most important cultural and economic outputs of advanced economies. He traces the emergence and development of various communications (radio, newspapers, television) through the 19th and 20th centuries as functions of increasingly centralized control due to the high cost factor of production, and believes that media was thus produced on an industrial scale. Benkler's term for this is the Industrial information economy.
With the emergence of computers, networks, and increasingly affordable media production outlets, Benkler introduces the concept of the NIE, which sees media access as a form of power, and recognizes decentralized individual actions in said media as a result of the removal of physical and economic constraints to the creation of media. To Benkler, this is due to a new feasibility space: lowered costs of access via digital production and radical decentralization rather than centralized messaging ("coordinate coexistence", 30).
This results in emerging productions of information that use non-proprietry strategies (such as GNU licences and collaborative production formats).
The forms of cultural productions — music is an example Benkler uses frequently — are either rival or nonrival. Rival products decrease as they are used (e.g. pounds of flour), the use of nonrival products (e.g. listening to a song) does not decrease their availability for further use.
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