The Way I Want to Touch You
| "The Way I Want to Touch You" | ||||||||||
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| Single by Captain & Tennille | ||||||||||
| from the album Love Will Keep Us Together | ||||||||||
| B-side | "Broddy Bounce" | |||||||||
| Released | September 1975 | |||||||||
| Format | 7" | |||||||||
| Recorded | 1973 | |||||||||
| Genre | Pop | |||||||||
| Length | 2:35 | |||||||||
| Label | A&M | |||||||||
| Writer(s) | Toni Tennille | |||||||||
| Producer(s) | Morgan Cavett | |||||||||
| Captain & Tennille singles chronology | ||||||||||
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"The Way I Want to Touch You" is a song written by Toni Tennille and started the professional recording careers for Captain & Tennille.
Tennille explained that she wrote the song about how she really felt about Daryl “The Captain” Dragon. She had written it in 1972, during the year when she and Daryl toured with The Beach Boys.
In September 1973, Toni and Daryl were performing at The Smokehouse Restaurant in Encino, California and two men from a small F.M. station were in the audience one night. They asked Toni and Daryl if they had any records, and at the time, they hadn’t. This inspired the duo to record two songs, “The Way I Want To Touch You” and “Disney Girls” at a small recording studio (the size of a garage) located in the San Fernando Valley. A man by the name of Morgan Cavett, a songwriter and producer who gained his first major success by writing for the musical group Steppenwolf assisted Daryl and Toni with producing these recordings. On the liner notes of the “Love Will Keep Us Together” album a special thanks was given to Morgan Cavett for introducing the Captain to Tennille.
Daryl and Toni initially pressed a few copies and gave them to several small F.M. stations in the Los Angeles area. Soon the stations were calling the duo saying that were getting strong feedback. Daryl and Toni decided to go ahead and spend $250 to have 500 vinyl copies pressed. They sent samples to radio stations and then drove off in a camper truck to visit 130 stations in 22 states to promote the single. The original vinyl pressings were issued on Butterscotch Castle Records, a label name created by Captain and Tennille. Soon afterwards, additional copies were released and distributed by Joyce Records.
Three Los Angeles D.J.’s Wink Martindale and Gary Owens of KMPC and Johnny Hayes of KRLA began talking about the song and promoting it out of merit. The record finally caught the attention of A&M Records, who bought the single and re-released it on their label in 1974. This time it became a minor chart maker on the west coast, but was only qualified as a regional hit.
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Wikipedia