The Trial | |
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French theatrical release poster (1962)
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Directed by | Orson Welles |
Produced by | Alexander Salkind |
Screenplay by | Orson Welles |
Based on | The Trial by Franz Kafka |
Starring |
Anthony Perkins Orson Welles Jeanne Moreau Romy Schneider Akim Tamiroff Elsa Martinelli |
Cinematography | Edmond Richard |
Distributed by | Astor Pictures Corporation |
Release date
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December 21, 1962 |
Running time
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118 minutes |
Country | France Italy Germany |
Language | English |
Budget | US$1.3 Million |
Box office | 998,779 admissions (France) |
The Trial is a 1962 film directed by Orson Welles, who also wrote the screenplay based on the novel of the same name by Franz Kafka. Filmed in Europe, Welles stated immediately after completing the film: "The Trial is the best film I have ever made." The film begins with Welles narrating Kafka's parable "Before the Law" to pinscreen scenes created by the artist Alexandre Alexeieff. Anthony Perkins stars as Josef K., a bureaucrat who is accused of a never-specified crime, and Jeanne Moreau, Romy Schneider, and Elsa Martinelli play women who become involved in various ways in Josef's trial and life. Welles plays the Advocate, Josef's lawyer and the film's principal antagonist.
The Trial has grown in reputation over the years, and some critics, including Roger Ebert, have called it a masterpiece. It is often praised for its scenic design and cinematography, the latter of which includes disorienting camera angles and unconventional use of focus.
Josef K. (Anthony Perkins) is sleeping in his bedroom, in an apartment he shares with other lodgers. He is awakened when a man in a suit opens his bedroom door. Josef assumes the glib man is a policeman, but the intruder does not identify himself and ignores Josef's demand to produce police ID. Several detectives enter and tell Josef he is under open arrest. In another room Josef K. sees three co-workers from his place of employment; they are there to provide evidence regarding some unstated crime. The police refuse to inform Josef K. of his misdeeds, or if he is even being charged with a crime, and they do not take him into custody.
After the detectives leave, Josef converses with his landlady, Mrs. Grubach (Madeleine Robinson), and neighbor, Miss Burstner (Jeanne Moreau), about the strange visit. Later he goes to his office, where his supervisor thinks he has been having improper relations with his teenaged female cousin. That evening, Josef attends the opera, but is abducted from the theater by a police inspector (Arnoldo Foà) and brought to a courtroom, where he attempts in vain to confront the still-unstated case against him.