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The Transit Rider

The Transit Rider
Faunfables thetransitrider.jpg
Studio album by Faun Fables
Released March 16, 2006
Recorded 2003-2005
Genre Experimental folk
Art rock
Performance Art
Length 56:06
Label Drag City
Producer Faun Fables
Dan Rathbun
Faun Fables chronology
Family Album
(2004)
The Transit Rider
(2006)
Light of a vaster dark
(2010)
Professional ratings
Review scores
Source Rating
Allmusic 4/5 stars

The Transit Rider is the title of the fourth album by Faun Fables and the theatrical production on which it was based.

The Transit Rider began as a theatrical production. The inspiration for the show was McCarthy's experiences on the New York City Subway from when she relocated there in 1994. As a live performance, The Transit Rider premiered as a full-length theater show in San Francisco in 2002. In April through June 2006, the four-member version of Faun Fables including Jenya Chernoff and Matt Lebofsky toured North America. The tour culminated in a large-scale performance at the Oakland Metro Opera House in Oakland, California on May 26 and 27.

The stage was set to resemble a light rail train, with a row of chairs along the upstage wall. Behind the actors portraying the riders, three large windows showed projected images which are the work of visual artist Eric S. Koziel. The first act began with the performers entering the stage as if entering a rail car. As each character reached his or her stop (announced with increasingly cryptic commentary by Frykdahl as The Train Conductor) he or she moved to a microphone near the door of the train car, performed a song, and then exited the stage. Performers included Sean Lee, Mick Runolfsson, and others.

Following this portion of the performance, Moe! Staiano entered downstage and played an improvised piece on 78 RPM records in which he developed rhyhthmic motifs while beating the 78's with mallets until they broke into pieces; as the pieces get smaller, the pitch rises, and Staiano used this as a motive to increase the tempo and intensity until the fragments of the records flew off the stage under the power of his mallet-strokes.


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