The Tower of Babel (Brueghel)
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| Artist | Pieter Bruegel the Elder |
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| Year | c. 1563 |
| Medium | oil on panel |
| Dimensions | 114 cm × 155 cm (45 in × 61 in) |
| Location | Kunsthistorisches Museum, Vienna |
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| Artist | Pieter Bruegel the Elder |
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| Year | c. 1563 |
| Medium | oil on panel |
| Dimensions | 60 cm × 74.5 cm (24 in × 29.3 in) |
| Location | Museum Boijmans Van Beuningen, Rotterdam |
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 Bruegel's Tower of Babel, Smarthistory
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The "Little" Tower of Babel, ARTtube
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The Tower of Babel is the subject of three oil paintings by Pieter Bruegel the Elder. The first, a miniature painted on ivory, was painted while Bruegel was in Rome and is now lost. The two surviving paintings depict the construction of the Tower of Babel, which according to the Book of Genesis in the Bible, was a tower built by a unified, monolingual humanity as a mark of their achievement and to prevent them from scattering: "Then they said, 'Come, let us build ourselves a city, and a tower with its top in the heavens, and let us make a name for ourselves; otherwise we shall be scattered abroad upon the face of the whole earth.'" (Genesis 11:4). The person in the foreground is likely Nimrod, who was said to have ordered the construction of the Tower.
Bruegel's depiction of the architecture of the tower, with its numerous arches and other examples of Roman engineering, is deliberately reminiscent of the Roman Colosseum, which Christians of the time saw as both a symbol of hubris and persecution. Bruegel had visited Rome in 1552–1553. Back in Antwerp, he may have refreshed his memory of Rome with a series of engravings of the principal landmarks of the city made by the publisher of his own prints, Hieronymous Cock, for he incorporated details of Rooster's Roman engravings in both surviving versions of the Tower of Babel with few significant alterations.compare 2nd image below The parallel of Rome and Babylon had a particular significance for Bruegel's contemporaries: Rome was the Eternal City, intended by the Caesars to last forever, and its decay and ruin were taken to symbolize the vanity and transience of earthly efforts. The Tower was also symbolic of the turmoil between the Catholic church (which at the time conducted all services in Latin) and the polyglot Lutheran Protestant religion of the Netherlands. Although at first glance the tower appears to be a stable series of concentric pillars, upon closer examination it is apparent that none of the layers lies at a true horizontal. Rather the tower is built as an ascending spiral.
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Wikipedia