The Tenth Level
| The Tenth Level | |
|---|---|
| Genre | Drama |
| Written by | George Bellak |
| Directed by | Charles S. Dubin |
| Starring |
William Shatner Ossie Davis Lynn Carlin Estelle Parsons Stephen Macht Lindsay Crouse John Travolta |
| Music by | Charles Gross |
| Country of origin | United States |
| Original language(s) | English |
| Production | |
| Producer(s) |
Tony Masucci George Bellak (associate producer) |
| Location(s) | CBS Broadcast Center, Manhattan, New York City, New York |
| Editor(s) | George Hartman Henry Weiland |
| Running time | 94 min |
| Production company(s) | CBS |
| Distributor | CBS |
| Budget | $300,000 |
| Release | |
| Original network | CBS |
| Original release | April 3, 1976 |
The Tenth Level is a 1976 TV movie starring William Shatner. Inspired by the Stanley Milgram obedience research, this TV movie chronicles a psychology professor's study to determine why people, such as the Nazis, were willing to "just follow orders" and do horrible things to others. Professor Stephen Turner (Shatner) leads students to believe that they are applying increasingly painful electric shocks to other subjects when they fail to perform a task correctly, and is alarmed to see how much pain the students can be convinced to inflict "in the name of science."
In the movie dramatization there were actually 25 levels of increasing voltage and pain. However, the so-called tenth level was significant in that it was always the first time in which the actual test subject heard the other (false) test subject cry out in pain.
It was the TV debuts of Stephen Macht and Lindsay Crouse, and John Travolta has an uncredited part as a student.
The movie fictionalized Milgram as academic psychologist Stephen Turner, a somewhat quiet man who was consumed with Nazi concentration camp imagery, played by William Shatner. Because fictional Turner was not Jewish as Milgram was but a “WASP." this obsession was pathological, a reflection of guilt and a need for martyrdom, according to Turner's friend Ben, a black psychologist played by Ossie Davis.
With horror-movie music in the background, the movie showed Turner's experiments going forward, particularly emphasizing the intense nervous reactions of subjects, but did not let viewers themselves know that the "learner" was not being shocked until the play was more than half over, thus emphasizing the film’s portrait of the psychologist as crazy.
Turner was subjected to an ethical inquiry after one subject, Barry, a student who had served in the army during Vietnam, had a breakdown during the experiment and destroyed the equipment. Many of the subjects that viewers had seen breaking down earlier during the trials testified to the value of the experiment, including Barry. “Had I been over there in My Lai. I would have shot dogs. cats, women, children, old men. babies. I would have wasted them all," he told the ethics board. "I’m grateful to Dr. Turner, ‘cause you see I know what is inside of me."
The last scene of the movie focused on a confrontation between Turner and his former lover, another psychologist on faculty, who demanded that he see the comparison between himself and his subjects: “You’ve been tested (like your subjects) You had a choice, you could have stopped....Your ends — which were knowledge — for that you knowingly inflicted pain." The film ended with Turner sobbing on her shoulder.
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