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The Sunday Funnies

The Sunday Funnies
Sundaylogo.jpg
Editor Russ Cochran
Categories Comic strips
Frequency Monthly
Publisher Russ Cochran Publishing
Year founded 2011
Country United States of America
Language English

The Sunday Funnies is a publication reprinting vintage Sunday comic strips at a large size (16"x22") in color. The format is similar to that traditionally used by newspapers to publish color comics, yet instead of newsprint, it is printed on a quality, non-glossy, 60 pound offset stock for clarity and longevity. Featured are classic American comic strips from the late 19th century to the 1930s. The publication's title is taken from the generic label ("Sunday funnies") often used for the color comics sections of Sunday newspapers.

It was launched December 2011 by editor-publisher Russ Cochran, who was associated with the classic comics reprints of Another Rainbow Publishing, Gladstone Publishing and Gemstone Publishing. Cochran stated, "These are full-size, full-page comics from the greatest years of newspaper comics. Initial print runs will be very small and early issues are likely to sell out."

The source of the strips is the Billy Ireland Cartoon Library & Museum at Ohio State University, which houses Bill Blackbeard's collection of comic strips, the largest and most comprehensive in the world. Design and production is by Michael Kronenberg, who previously designed the EC Archives for Cochran.

The Sunday Funnies was originally planned as a 32-page monthly. Budget considerations, however, led Cochran to instead publish it as a 96-page quarterly, divided into three separate 32-page sections. Section one (labeled "Section A") of the first issue features Alley Oop, Bronc Peeler, Crazy Quilt, Gasoline Alley, Krazy Kat and Wee Willie Winkie's World, plus brief notes on the strips by Cochran. Section B features the above strips, plus Dudley Fisher's Right Around Home. Section C introduces George Herriman's Stumble Inn. The daily Gasoline Alley strips of February 14–15, 1921, are added on The Sunday Funnies' editorial page to show the arrival of Skeezix as a newborn baby on the doorstep of Walt Wallet. Also featured in the third section is an essay by Cochran, "The Vanishing Newspaper", decrying libraries' destruction of newspapers once they had been microfilmed and praising Blackbeard's role in comics preservation.


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