The Steel Helmet | |
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Poster
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Directed by | Samuel Fuller |
Produced by | Samuel Fuller, Robert Lippert |
Written by | Samuel Fuller |
Starring |
Gene Evans Robert Hutton Steve Brodie James Edwards Richard Loo |
Music by | Paul Dunlap |
Cinematography | Ernest Miller |
Edited by | Philip Cahn |
Distributed by |
Lippert Pictures Inc. Burbank Video (VHS) |
Release date
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Running time
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85 min. |
Country | United States |
Language | English |
Budget | $104,000. |
Box office | over $2 million |
The Steel Helmet (1951) is a war film directed by Samuel Fuller and produced by Lippert Studios during the Korean War. It was the first film about the war, and the first of several war films by producer-director-writer Fuller. The racial integration of the U.S. military was going on during the Korean War and the movie is a parable about how all Americans needed to pull together and fight the Cold War.
When an American infantry unit surrenders to the North Koreans, the prisoners of war have their hands bound behind their backs and are then executed. Only Sergeant Zack (Gene Evans) survives the massacre, saved when the bullet meant for him is deflected by his helmet. He is freed by a South Korean orphan (William Chun), nicknamed "Short Round" by Zack, who tags along despite the sergeant's annoyance. Short Round confronts American racial attitudes when he demands that Zack refer to him as South Korean, not a gook.
They come across Corporal Thompson (James Edwards), an African-American medic and also the sole survivor of his unit. Then they encounter a patrol led by inexperienced Lieutenant Driscoll (Steve Brodie). The racial angle arises when white soldiers suggest that the black medic was a deserter. But soon after, a battlefield emergency demands interracial unity when the men are pinned down by snipers. Together, Zack and Sergeant Tanaka (Richard Loo) dispatch the snipers. Zack reluctantly agrees to help the unit establish an observation post at a Buddhist temple. One GI is shortly thereafter killed by a booby trap.
The grouping was "designed" by Fuller to be broadly representative of the Korean War-era US Army. Thus, there is an element of stereotyping in the characters. Among them are Joe, the quiet one (Sid Melton); the former conscientious objector (Robert Hutton); the "intellectual" (the officer); an African-American; the naive radio operator (Richard Monahan); and the Nisei Tanaka.