The Stand Ins | ||||
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Cover Art by William Schaff
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Studio album by Okkervil River | ||||
Released | September 9, 2008 | |||
Genre | Indie rock | |||
Length | 40:12 | |||
Label | Jagjaguwar | |||
Producer | Brian Beattie | |||
Okkervil River chronology | ||||
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Professional ratings | |
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Aggregate scores | |
Source | Rating |
Metacritic | 78/100 |
Review scores | |
Source | Rating |
AllMusic | link |
Drowned in Sound | (8/10) link |
Entertainment Weekly | (A) link |
Pitchfork Media | (8.0/10) link |
PopMatters | link |
Rolling Stone | link |
The Stand Ins is the fifth full-length studio album by American indie rock band Okkervil River, released on September 9, 2008. The album is the second half of The Stage Names, a planned double album. The title comes from the term 'stand-in', a person who substitutes for the actor before filming for technical purposes. If the cover art for The Stage Names is placed above that of The Stand-Ins, a complete picture is formed. The album charted at #42 with 11,000 copies sold, according to the Billboard 200.
Shearwater's Jonathan Meiburg and guitarist Charles Bissell of The Wrens contributed to the album.
Conceived as a companion piece to The Stage Names, The Stand Ins continued the band's preoccupation with pop culture, celebrity suicide, and life as a musician. The track "Lost Coastlines," which features a duet with Shearwater's Jonathan Meiburg, deals with trying to keep the band together despite the band's constant touring. "Starry Stairs" depicts the life and suicide of porn star Shannon Wilsey. The final track on The Stand Ins, "Bruce Wayne Campbell Interviewed on the Roof of the Chelsea Hotel, 1979," details the career and disillusionment of glam rock musician Bruce Wayne Campbell (better known as Jobriath).
The Stand Ins has received positive reviews. The album currently has a score of 78 out of 100 on the review aggregate site Metacritic, indicating "Generally favorable reviews."
Popmatters' Joseph Carver praised the album's narrative, writing "Once again, a record made up of relatively unlikeable characters becomes a fixture in your psyche thanks to Will Sheff’s ability to find the humanity in their stories."Pitchfork Media also praised the album's lyrics, with reviewer Stephen Deusner calling Sheff "...one of the best lyric-writers going in indie rock." Deusner continued: "Song for song, he can jerk a tear with a carefully observed detail or turn of phrase... but it's the way those songs talk to one another that makes Okkeril River albums so durable and fascinating."