The Spook Who Sat By The Door | |
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1973 movie poster
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Directed by | Ivan Dixon |
Produced by |
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Written by |
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Based on |
The Spook Who Sat by the Door (novel) by Sam Greenlee |
Starring |
Lawrence Cook Paula Kelly Janet League J.A. Preston David Lemieux |
Music by | Herbie Hancock |
Cinematography | Michel Hugo |
Distributed by | United Artists |
Release date
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Running time
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102 min. |
Country | United States |
Language | English |
The Spook Who Sat by the Door is a 1973 action crime–drama film based on the 1969 novel of the same name by Sam Greenlee. It is both a satire of the civil rights struggle in the United States of the late 1960s and a serious attempt to focus on the issue of black militancy. Dan Freeman, the titular protagonist, is enlisted in the Central Intelligence Agency's elitist espionage program as its token black. After mastering agency tactics, however, he becomes disillusioned and drops out to train young Chicago blacks as "Freedom Fighters". As a story of one man's reaction to white ruling-class hypocrisy, the film is loosely autobiographical and personal.
The novel and the film also dramatize the CIA's history of giving training to persons and/or groups who later utilize their specialized intelligence training against the agency - an example of "blowback."
Directed by Ivan Dixon, co-produced by Dixon and Greenlee, from a screenplay written by Greenlee with Mel Clay, the film starred Lawrence Cook, Paula Kelly, Janet League, J. A. Preston, and David Lemieux. It was mostly shot in Gary, Indiana, because the themes of racial strife did not please Chicago's then-mayor Richard J. Daley. The soundtrack was composed by Herbie Hancock.
In 2012, the film was added to the National Film Registry, which annually chooses 25 films that are "culturally, historically or aesthetically significant", and are at least 10 years old.
The story takes place in the early 1970s in Chicago. The CIA has been required for political reasons to recruit African Americans for training. Only one of them, Dan Freeman (Lawrence Cook), secretly a black nationalist, successfully completes the training process. He becomes the first black man in the agency and is given a desk job—Top Secret Reproduction Center Sections Chief (which means he is in charge of the copy machine). Freeman understands that he is the token black person in the CIA, and that the CIA defines his function as providing proof of the agency's supposed commitment to integration and progress. Therefore, after completing his training in guerrilla warfare techniques, weaponry, communications and subversion, Freeman puts in just enough time to avoid raising any suspicions about his motives before he resigns from the CIA and returns to work in the social services in Chicago.