The Spectre Within
| The Spectre Within | ||||
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| Studio album by Fates Warning | ||||
| Released | October 1985 | |||
| Recorded | Eldorado Recording Studios in Burbank, California; Track Record Studios in North Hollywood, Los Angeles | |||
| Genre | Heavy metal, progressive metal | |||
| Length | 48:20 | |||
| Label | Metal Blade | |||
| Producer | Fates Warning, Brian Slagel | |||
| Fates Warning chronology | ||||
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| Alternative cover | ||||
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2002 remastered edition
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| Professional ratings | |
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| Review scores | |
| Source | Rating |
| AllMusic |   |
| Sputnikmusic | 3.5/5 |
The Spectre Within is the second studio album by progressive metal band Fates Warning, released in October 1985 through Metal Blade Records. It has been reissued three times: first as a double album together with Night on Bröcken (1984) in 1992, followed by a remastered edition in 1994, and again in 2002 with four bonus tracks as well as new cover art.
Robert Taylor at AllMusic gave The Spectre Within two stars out of five, saying that "Metal fans may enjoy this more than Night on Bröcken, especially "Pirates of the Underground" and "The Apparition," but there is very little, if anything, for the progressive fan." Trey Spencer at Sputnikmusic gave the album a similarly lukewarm review, deeming it "for die-hard fans only". Some criticism was directed at John Arch's vocals, which were described as "slightly irritating due to the unchanging high-pitched nature of his voice", as well as the dated riffs and production. For new fans of Fates Warning, Spencer instead recommended Awaken the Guardian as a better starting point.
In contrast, Jeff Wagner in his Mean Deviation (2010: 56) book wrote that The Spectre Within "set Fates Warning apart from just about everyone else in the metal underground, although parallels could be drawn to Danish band Mercyful Fate, an early influence on [guitarist Jim Matheos]". Wagner also stressed that the album was "darker and more complex than even Iron Maiden or Queensrÿche, and it handled its fantasy imagery intelligently, passing over the clichéd traps of wizards, dragons, and ham-fisted, second-rate riffs".
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Wikipedia