Turning and turning in the widening gyre
The falcon cannot hear the falconer;
Things fall apart; the centre cannot hold;
Mere anarchy is loosed upon the world,
The blood-dimmed tide is loosed, and everywhere
The ceremony of innocence is drowned;
The best lack all conviction, while the worst
Are full of passionate intensity.
Surely some revelation is at hand;
Surely the Second Coming is at hand.
The Second Coming! Hardly are those words out
When a vast image out of Spiritus Mundi
Troubles my sight: somewhere in sands of the desert
A shape with lion body and the head of a man,
A gaze blank and pitiless as the sun,
Is moving its slow thighs, while all about it
Reel shadows of the indignant desert birds.
The darkness drops again; but now I know
That twenty centuries of stony sleep
Were vexed to nightmare by a rocking cradle,
And what rough beast, its hour come round at last,
Slouches towards Bethlehem to be born?
"The Second Coming" is a poem written by Irish poet W. B. Yeats in 1919, first printed in The Dial in November 1920, and afterwards included in his 1921 collection of verses Michael Robartes and the Dancer. The poem uses Christian imagery regarding the Apocalypse and Second Coming allegorically to describe the atmosphere of post-war Europe. The poem is considered a major work of Modernist poetry and has been reprinted in several collections, including The Norton Anthology of Modern Poetry.
The poem was written in 1919 in the aftermath of the First World War and the beginning of the Irish War of Independence that followed the Easter Rising, at a time when the British government was preparing to send in the Black and Tans to Ireland. Yeats used the phrase "the second birth" instead of "the Second Coming" in his first drafts.
"The Second Coming" contains images that have been tied most closely to Yeats's legacy. Modernists read the poem as a dirge for the decline of European civilisation in the mode of Eliot, but later critics have pointed out that it expresses Yeats's apocalyptic mystical theories, and it is thus the expression of a mind shaped by the 1890s.